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Showing 3539 Columns
Showing 3539 Columns
August 7th, 2017
The mind of an author is a dangerous place. Bad things happen in there. Awful things. However, it is the place where most authors spend the majority of their time. It’s also a place that, for a variety of reasons, regular people often have to enter. For those of you who have to do so, and for authors who want to know exactly what kind of beast is messing with them and how to fight it, I have created a bestiary of the writer's brain. This is not, by any means, a complete bestiary; it is merely a starting point that seeks to cover the basic information and provide help.
Read Column →August 4th, 2017
There are many ways of creating characters. For a science fiction novel I tend to create the world first, along with the technology or magic that infects the location and makes it interesting and unique. Then I let the effects of this technology build, and change, mutate and turn bad, and I think to myself: who is the worst possible person to tackle such a force? Who would be most easily overwhelmed by it, damaged by it? So the hero is born. This for me is the first step in bringing a protagonist to life, in opposition to a far stronger power.
Read Column →August 4th, 2017
Stephen King hasn’t written too many prominent female characters since he burst onto the scene with his debut novel Carrie in 1974. Since then he’s had maybe a handful of novels with female protagonists as the lead. Those would include Cujo, Gerald’s Game, Dolores Claiborne, Lisey’s Story and a few others.
Read Column →August 3rd, 2017
I am very much a genre man. Rather than the niceties of the well brought-up “literary” novel, I prefer sensational tales told in broad strokes with lots of twists and turns, startling imagery, sharply defined characters, and some event or revelation that makes me sit up and say out loud, “What the hell? That’s amazing!” Quite simply, I want to be struck with awe. And from an early age, science fiction novels fed that essential desire.
Read Column →August 3rd, 2017
A couple months ago I got into a writer feud. It wasn’t as bad as when Richard Ford spit in Colson Whitehead’s face, but it was much worse than when Salman Rushdie and Francine Prose were beefing on Facebook about Charlie Hebdo. It wasn’t as memorable because I’m a D-List writer and the other writer is F-List. It was two nobody writers in a micro-scene fighting, which was probably more sad than funny.
Read Column →August 2nd, 2017
Dayzone is a city that never sleeps, where the lights never go out, where the sky – the natural sky – cannot be seen because of the millions upon millions of lamps, flames, bulbs, neon signs, lanterns and other light and heat emitting devices suspended above the streets. In such an enclosed, sealed environment, one completely cut off from the normal cycle of day and night, and the changing of the seasons, how would people tell the time?
Read Column →August 2nd, 2017
You might not know the name William Powell, but you've almost certainly heard of his book, The Anarchist Cookbook, and you might have seen a new documentary, American Anarchist, about William Powell and The Cookbook’s legacy of violence.
Read Column →August 1st, 2017
I know a lot of authors, and some of them are among my favorite people in the world. Having food and/or beers with an author or a group of authors is something I go out of my way to do any chance I get. That's the main reason I go to conferences, readings, and even house events. Just last night, I got in my car, which has no AC, and braved the 100-degree Texas heat so I could go listen to, hang out with, and share a meal with authors Rob Hart, Jordan Harper, and Bill Loehfelm. That's how much I like hanging out with writers.
Read Column →August 1st, 2017
Just as I’m happiest in the autumn months, so dusk is my favourite time of day. It’s a time when objects, thought and feelings lose focus: the light gives way, yet darkness has not yet taken control. Because of this ambiguity, dusk can be difficult to describe in words, and it might well be this difficulty which has drawn many poets and novelists towards it as a subject matter. Here is the paradox: if dusk is described too exactly, it loses its essential nature.
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