Interview by Ed Sikov
Michael Lowenthal was the valedictorian of his Dartmouth class. But he didn't waste his life in the pursuit of money and power. No, he became a writer!
Interview by Joshua Chaplinsky
Irvine Welsh talks to LitReactor about his 'Trainspotting' prequel 'Skagboys,' the film adaptation of 'Filth,' and why he feels the modern Democratic party is too conservative.
Resurfacing: An Interview with Lidia Yuknavitch on Writing, Teaching, and Bringing Dark Secrets to Light
Lidia Yuknavitch, author of 'The Chronology of Water' and 'Dora: A Headcase', talks about the progression from memoir to fiction and exploring the boundaries of self in a technological age.
Interview by Matthew Treon
Stephen Graham Jones discusses his latest novel, 'Growing Up Dead In Texas,'and blurring the lines between fiction and nonfiction.
Bree Ogden is back with her hit class, Intro to Graphic Novel Writing. To give you a preview of how the class will work, she fielded some questions from her followers on Twitter to answer here.
Paul Tremblay, Sarah Langan and John Langan Talk About The Horror Genre, And Their New Class Kicking Off Monday
Meet some of the instructors from our first multi-teacher class, geared toward creating tension, building dread, and writing a better horror story.
Christopher Bram's class, 'Beginning the Novel,' kicks off on Monday, May 28. We posed five questions to the instructor, to give you a sense of his style, and the class.
Master screenwriter Scott Myers answers from questions for us on good movie scripts and the common mistakes that new screenwriters make. His LitReactor class starts this Monday.
Jack Ketchum joins LitReactor for 'Talking Scars,' a four-week class that will reveal the dynamics for how to craft compelling horror and suspense stories. You'll want to write with the lights on.