Columns

The Anti-Love: 10 Great Fictional Nemeses

February 6th, 2015

All we hear about in February is love love love! Well, humbug! Let’s talk about the anti-love, aka great nemesis pairings in media!

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Do the Love Lives of Writers Matter?

February 6th, 2015

The Dickinson House Museum is a quiet place on the outskirts of Amherst, Massachusetts. There’s nothing dark or brooding about the atmosphere there, particularly not in the poet’s bedroom, which is a comfortable space with a good amount of light. When I visited in 2013, the tour guide was careful to point out that Emily was probably somewhat livelier than the dour-faced portrait of her as a 17-year-old reveals, and her hair a more reddish hue. She had been sick just before the image was taken, unfortunately.

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Celebrating Women In Horror Month

February 5th, 2015

Horror's Gender Problem One of the most talked-about and critically praised horror films of the last year was The Babadook (and let me tell you, it lives up to the hype). Eschewing the modern propensity for violence and gore and hearkening back to the minimalist atmosphere and suspense that characterized the genre in decades past, the film unnerves its audience psychologically, making the few instances of visceral horror all the more effective. Given this, it seems obvious to me that a woman—Jennifer Kent—wrote and directed this gem.

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Storyville: Love Instead of Death—Writing With Heart

February 5th, 2015

Now, I’ll be the first person to say that I quite often write about death. I kill off a lot of people in my stories and novels—mothers dying of heartbreak, fathers seeking revenge, children, animals—you name it. There is violence in a lot of my writing. But, does that mean it has to be there, do we have to kill to have impact? Can we replace death with love, tragedy with hope? We can.

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The Art And Necessity Of Love Letters

February 4th, 2015

Dear Reader, Right now, on my desk I've got a stack of 500 love letters. Just a few more than 500, if we're being exact. It's a huge ream of paper. And because I'm an idiot, I never bothered to number the pages. Every time I pick up the stack, every time I move it around, I hold my breath. I'm terrified I'll drop it. That the pages will splash on the ground, scatter all over the place, and that's it. My whole love life, all scrambled to pieces.

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Breaking Down the Facebook Terms and Conditions Update — 2015

February 3rd, 2015

A new year, a new Facebook uproar. You may recall receiving the below notification when you logged into your Facebook account in late December or early January: By using our services after Jan 30, you agree to our updated terms, data policy, and cookies policy, and to seeing improved ads based on apps and websites you use. Learn more about these updates and how to control the ads you see.

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UPDATED WITH WINNER: LitReactor's Flash Fiction Smackdown: January Edition

January 30th, 2015

Flash fiction: A style of fictional literature marked by extreme brevity. Welcome to LitReactor's Flash Fiction Smackdown, a monthly bout of writing prowess. How It Works We give you inspiration in the form of a picture, poem, video, or prompt. You write a flash fiction piece using the inspiration we gave you. Put your entry in the comments section. One winner will be picked and awarded a prize.

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5 Non-Writerly Apps For Writers

January 30th, 2015

At this stage in human evolution, we've become a society dependent on handheld computers and smartphones to keep us on task, on time, and informed. And while it's generally a good idea to disconnect from net-based distractions while in the act of writing, these technological advancements are just as beneficial to writers as anyone else. I've covered numerous iOS and Android applications geared specifically toward writers of various ilk, from prose fiction authors to screenwriters, playwrights, and journalists.

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Screenwriting: Nail The Subtext

January 29th, 2015

Oh, subtext, you’re a fickle wretch.  By definition, you must not be written or spoken. You’re invisible on the page.  As soon as you start to become too obvious, you cease to exist. Nonetheless, your absence is keenly felt.  A screenplay without subtext is all surface, no depth.  There’s little substance to the story, less resonance.

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Off The Grid Reads: 'The Weird' Edited By Ann & Jeff VanderMeer

January 29th, 2015

So you've finally had it. You're sick of the grind: the job, email, Facebook, Twitter, text messages, television constantly trying to sell you shit you don't need. When you were first starting out, you never pictured your life turning out the way it has. You always thought you'd live close to the land, maybe farm and hunt your food, build your house with your own hands, fall in love with a woman who had the same ideals. But nope, nothing of the sort has happened.

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