Columns

Anatomy of a Mini Flash Novel Experiment: Angel Dust

October 13th, 2017

Photo: Seaview, WA, in November (Alex Behr) At a flash fiction class at The Attic in Portland, OR, poet/screenwriter/overall godhead David Ciminello led us through prompts. He creates trust through guidelines on how to receive and give feedback (example: “Be prepared to ask for the kind of feedback you want”) and his easygoing demeanor, but this night, I was wary. Directed writing makes me feel uneasy, as if a “real” writer doesn’t need external motivation. But I loved these prompts.

Read Column →

Voices of the Dead: In Memories and Literary Prose

October 13th, 2017

When the family reserve has been let down by the indie publishing, I go back to the daily security grind which takes me here and there, until the coffers are no longer on life support. So, there I was, at 4:30 a.m., shuffling into the Holiday Inn dining nook in Warrenton, Virginia—preparing my bolstering dose of English breakfast tea—when I noticed the woman I had exchanged pleasantries with the previous morning was unhinged. "Be careful out there," she warned. "There's been a murder at the CVS and the police told us to lock the doors.

Read Column →

Blood, Parasites, and Mutilation: Celebrating 10 Masters of Body Horror

October 12th, 2017

You know what? Body horror is infinitely richer and far more complicated than most people imagine. Body horror, a subgenre of horror that is also called biological horror or organic horror, refers to stories (yes, I also mean comics, film, and television narratives) in which the horror comes from or is based on the human body. Yeah, that's a hell of a loose description. Mutilation, mutation, parasites, degeneration, and all other types of physical pain/torture/transformation/etc fall under this subgenre.

Read Column →

13 Reasons Charles Addams is an Unsung Master of Horror

October 11th, 2017

When we mention masters of horror: the King's, the Matheson's, Tobe Hooper, George Romero, Wes Craven— When we talk about The Mount Rushmore of horror heroes, we tend to skip one who brought the morbid and the macabre to so many. I'm talking about Charles Addams.

Read Column →

How to Finish Your Novel Using Math

October 11th, 2017

Have you ever written a short story? A long story? A novella? Now you want to write a novel? Cool, lean in real close. Listen to me as I whisper in your ear.  **Screams incoherently**

Read Column →

Season of the Witch: Six Dark Fairy Tales Everyone Should Read

October 10th, 2017

The term fairy tale is often deployed for things that seem too good to be true (say, a fairy tale romance). But of course that's misleading; real fairy tales are as dark as stories come. The term has also been deployed to diminish the weird work of female authors—who, in eschewing the cold, hard truths of realism, it has been assumed, must be writing for the nursery. 

Read Column →

John Green Is the Reason I Write Contemporary YA

October 10th, 2017

Author photo via official website It might be cliché for me to credit John Green with inspiring me to write young adult fiction. Especially since I didn't discover him until after The Fault in Our Stars was published, so I can’t even claim some hipster-like early-fan factor. So I’ll accept that it’s a little cliché to fall for a genre because of one outsize author, but I would argue that I bust stereotypes in why I want to be like John Green.

Read Column →

What is Gutter Opera? 'Absolutely Golden' Author D. Foy Is Here To Explain...

October 9th, 2017

After D. Foy's stunning debut Made to Break sparked some serious noise in literary circles, I knew I wanted him to teach for LitReactor. We chatted a bit about the possibility of a workshop and he asked me if he could do it on Gutter Opera.  I had no idea what he meant, but of course, I wanted to know more. So I asked him to explain it, and what he came back with was so thoughtful, so concise, so electric, I knew we had the makings of an excellent class. 

Read Column →

The 7 Greatest Fears of Horror Writers

October 9th, 2017

October has rolled around, and we, readers, once more return to horror fiction in anticipation of Halloween. We put ourselves in the hands of masters like Lovecraft and Barker, or new kids like Joe Hill — all with the aim of scaring ourselves stupid. But what chilling thoughts keep horror writers awake at night? What thing scares Stephen King? What makes R.L. Stine lose his mind? Take our hand as we peel back the velvet curtain to reveal the seven terrifying things that frighten the frighteners.

Read Column →

Queer Stereotypes Aren't Just Bad Writing—It Goes Deeper, Says 'Writing The Rainbow' Instructor Nita Tyndall

October 6th, 2017

I’ve been reading queer YA since I was in middle school and starved to see myself in stories. In the beginning, I took what I could get, even if the stories were riddled with cliches, because I was so desperate to see my identity reflected. I snuck these books from the library and hid them behind my textbooks to read, comforted because I could at last see myself.

Read Column →