Interviews
Showing 314 Interviews
Showing 314 Interviews
December 12th, 2012
There are a number of polarizing figures in the crime fiction community: Jon and Ruth Jordan of Crimespree magazine, Steve Weddle of Needle: The Magazine of Noir, and, of course, the one and only Big Daddy Thug, Todd Robinson, founder and editor of Thuglit. During its first five year run, Thuglit produced three print anthologies and helped spark the careers of such writers as Stuart Nevillle, Hilary Davidson, Jordan Harper, and Frank Bill.
Read Interview →December 11th, 2012
It’s no secret that Portland, Oregon is having a cultural moment. Whether we’re talking home brew or Portlandia or the thriving literary community in this overgrown Pacific Northwest town, you can’t scan a Twitter feed without stumbling across a reference to the Rose City. Since 2002, one of the brightest spots in Portland’s literary horizon has been Hawthorne Books, helmed by the talent magnet, Rhonda Hughes.
Read Interview →December 4th, 2012
Sometimes a book sells you solely on the title. Frank Sinatra in a Blender is one of those books. I mean, c'mon. Turns out, the prose hits just as hard as the title. The debut novel from Matthew McBride is about St. Louis-based PI Nick Valentine, a wrecking ball with an inhuman tolerance for alcohol and pills. He's investigating a robbery, and like with any badass pulp story, all kinds of stuff goes wrong. Especially for his Yorkshire terrier, Frank Sinatra.
Read Interview →November 8th, 2012
By Chris F. Holm's definition, his novels Dead Harvest and The Wrong Goodbye "recast the battle between heaven and hell as Golden Era crime pulp." That's a pretty good way to put it. The books are as hard to define as they are impossible to put down.
Read Interview →November 5th, 2012
Author Sean Beaudoin has thrown a brick through virtually every window in the hallowed and stuffy House of Writing. Although best-known for his string of popular YA novels, Beaudoin has contributed features to scores of magazines, danced the "Lit Journal Shuffle," crop-dusted acres of writing and culture sites, and way, way back in the day, launched his own fanzine, penning defiant late night manifestos to a readership so far out on the fringe that zip-locked baggies full of toenail clippings routinely landed in his mailbox. From more than one person.
Read Interview →October 16th, 2012
Midnight approaches on Halloween. Five orphans and an East Texas seamstress at a birthday party sit, captivated by a Story Teller’s tale, and the long, mysterious black box he's set before them. But they're also being held captive by the malicious fate the Story Teller foretells: The Fifty Year Sword.
Read Interview →October 11th, 2012
Just a few weeks ago, we brought you the belated news that science fiction author Jeff Noon had written his first new novel in a decade. This was almost a year after I had asked the question, What The Hell Ever Happened To... Jeff Noon?, and got the then hoped-for answer: Working on a new book.
Read Interview →October 3rd, 2012
Michael Lowenthal’s fourth novel, The Paternity Test, has just been published by Terrace Books/University of Wisconsin Press. It's the story of two men trying to hold their fraying relationship together by moving to Cape Cod and having a baby with a surrogate mother, and their odd friendship with her, her husband, and the married couple's young daughter.
Read Interview →September 18th, 2012
In 1993 Irvine Welsh introduced us to a group of young Scots in media addictus with his debut novel, Trainspotting. Three years later, their story was adapted into a film that boosted international awareness of the actors, director, and author alike. There were complaints about the lack of subtitles and the thickness of the accents, but that didn't stop everyone and their mother from trying one on for size, sounding like so many poorly imitated Sean Connerys and Scrooge McDucks.
Read Interview →July 25th, 2012
Reading The Chronology of Water, I was struck by the human depth of it and how brave you seemed on the page. The narrative voice takes on traumatic personal experiences without flinching, but equally without narcissism or wallowing, and is counterbalanced with wicked moments of humor. Could you tell me what it took to bring the most difficult moments to the page and whether you'd do it all again?
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