Columns

"Pride and Prejudice" Remains Timeless and Delightful, More than 200 Years Later

January 28th, 2020

Ah, Pride and Prejudice. A classic tale of rivals-to-lovers, it’s a hilarious romp through Regency England which includes everything from a matchmaking mother to a runaway teenage bride to a vengeful suitor. It’s funny in a laugh-out-loud kind of way, incisive in a way that is common to Jane Austen, filled with social commentary that must have struck just as true in 1813 as it does 207 years later, in 2020.

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Writing Tips From the Don Winslow Universe

January 27th, 2020

I think good writers create amazing books, but great writers create entire universes. In horror we like to call that the _______ mythos. Sure, H.P. Lovecraft is the classic example, but a few contemporary masters like Paul Tremblay, Brian Keene, and Laid Barron also have their own mythos. When it comes to crime fiction, one of the first names that pops into my head when having this conversation is Don Winslow.

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Book Promotion: Tips for Making it Work

January 27th, 2020

I’m sure there are exceptions to the rule, but in my experience, and from what I’ve observed, writers and authors have a hard time promoting their work. It can be stressful enough just to tell people you’re a writer (endless questions and perplexed comments ranging from ‘I should write a book, how hard can it be?’ to ‘Can you introduce me to Stephen King?'), and then when you have a book come out? And you, *gulp* have to sell it? Not only talk about it, but actually convince people to buy your book? Yeah, it can be intimidating. And frustrating.

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The "American Dirt" Problem is Deeper Than One Book

January 24th, 2020

I'm sure you already read all the hot takes on American Dirt, the newest novel by Jeanine Cummins. You know what happened. You know she did some research and then told a torture story with problematic characters. You know her publisher, Flatiron Books, had center pieces with barbed wire at a book event. I won't talk about that anymore. What I'm going to talk about is this: American Dirt is just the latest suppurating sore; the result of a disease that runs deep in publishing. Let me break it down for you.

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Talking Myself Out of the MFA

January 23rd, 2020

My history with the MFA goes like this: I wanted to do it. This was like, shit, 15 years ago. I’d finished my bachelor’s, took a year to work and not be in school. During this time, I was working in a library, a job that was more than tolerable after a few years spread across a phone center, Wal-Mart, making pizzas, etc. So, the plan was to apply to some MFA programs, see if I got in, and if I didn’t, I’d apply to the less-choosy world of library schools, get a library science degree, and then get a big boy job.

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Hunting Down the Perfect Comp Is More Important Than You Think

January 22nd, 2020

Photo by Matthew Feeney One of the best things you can do for your writing career is learn to select accurate comp titles for your novel. Why? A great comp is the key to unlocking the doors to successful marketing and substantial sales. How? Well, it starts by accepting that finding a great comp title is more than comparing your book to the latest bestseller. But we’re getting ahead of ourselves, so let’s take it back to square one.

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Book vs. Film: "Caging Skies" vs. "Jojo Rabbit"

January 21st, 2020

Who would have thought that a film featuring a young boy whose imaginary friend is Adolf Hitler would be nominated for six Academy Awards, including best picture? Moreover, would anyone have figured that said movie would be a heartwarming coming-of-age narrative that is as sweet and endearing as it is darkly comedic (and sometimes downright dark)? Probably few people, but as this is now the year two thousand and twenty, very little should surprise us anymore.

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Storyville: Show, Don't Tell

January 20th, 2020

I can’t believe I’ve never written a column dedicated to the whole "show vs. tell" aspect of writing. It’s a very important topic, and I’m not saying that you can’t tell, that you shouldn’t tell—there is a time and a place for everything—but it’s crucial for you as an author to understand the difference, so you can immerse your audience in your prose. Let’s get started.

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Start As Close To The End As You Can

January 17th, 2020

There’s a mandate to keep this one short, what with the premise and all. Is your piece not working? Your short story doesn’t pop? Your novel wallowing? Start over. And start the story as close to the end as possible. Newswriting A great lesson I learned from a newswriting class was to include the entirety of the story as close to the opening of the article as possible. Why? Because giving them the details is one way to let them know whether they want to read on.

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How To Recover From Writer Burnout

January 16th, 2020

Images via Sebastian Sørensen and Suzy Hazelwood It's the first month of the new year, and many writers see this as a chance to reinvigorate their writing lives. Set new goals. Create new projects. Discover and submit to publications they want to get into. Even make new writing friends. We're about to take another trip around the sun, and there's plenty of time to burn for our creative endeavors. Both morning flame and midnight oil. 

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