Columns
Showing 3544 Columns
Showing 3544 Columns
November 23rd, 2015
It’s no secret that Ryan Murphy’s popular horror anthology TV series, American Horror Story, is a mixed bag, from the beautifully grotesque second season, Asylum, to the consistently disappointing third, Coven. Still, as a huge fan of hotel horror and for the most-part the American Horror Story series, I had high hopes going into this season. Hopes that haven’t quite been met, but perhaps like last year’s outing, Freak Show, it will get better as the ‘story’ progresses.
Read Column →November 20th, 2015
The coma as catalyst is old hat, popping up in such classics as Washington Irving’s “Rip Van Winkle”, and consequently has made its way, unbeknownst, into many a writer's bag of tricks. More often than not this results in the convenient coma, when a character is put to sleep in order to drive the plot forward, usually with others fighting to wake them up. This is a tried and true plot device of the screenwriter, so much so that it has its own page on the All the Tropes Wiki.
Read Column →November 20th, 2015
Kurt Vonnegut would have been 93 this month. If we were lucky enough to live in a world where people like Kurt Vonnegut lived to be 93. The dude is one of those writers who's well-liked and popular, but still underrated somehow. How it is that The Sirens Of Titan isn't an all-time classic I do now know or understand, and frankly it's part of what makes me feel like our society is nothing but wreckage.
Read Column →November 19th, 2015
Welcome once again to What Works & What Doesn't, a monthly column dedicated to the craft of screenwriting.
Read Column →November 18th, 2015
Tom Piccirilli passed away this July and the literary world lost one of its most intense and passionate authors. Like many of his friends and acquaintances wrote in their tributes earlier this year, Tom was a great, talented guy. He was always down to talk writing and publishing with people he barely knew (like me!). I have an email lingering in my account from him, which still sits there to this day. I asked to interview him back in 2009, but the magazine I was working with at the time shut down unexpectedly, so the interview never happened. I never got back to him about it.
Read Column →November 17th, 2015
Not everyone loves books. For centuries, despotic governments and rulers have feared the power of the written word and its influence on the masses; enough to destroy the most hallowed sanctuaries of bibliophiles across the globe—libraries. From Iraq to Los Angeles, countless libraries have been lost to war, fire, and “progress.”
Read Column →November 16th, 2015
When I first heard about Scream: The TV Series, like many others, I was skeptical. Let’s face it, movie to television adaptations are pretty hit and miss, the original Scream is an iconic part of horror history, and the traditional slasher isn’t meant to stretch much further than ninety minutes. Now, with the final credits a mere memory, I have mixed feelings about Scream: The TV Series.
Read Column →November 13th, 2015
You know, I had another introduction planned, but as I have been writing this over the last month, many articles on the topic of gender-neutral language have popped up (you’ll see me mention some of them below). This topic is on everyone’s mind lately because we have some high-profile people who have brought it to the forefront. But let’s not be naïve. This didn’t start the day Caitlyn appeared on Vanity Fair. This is a conversation a lot of people have been having for a long time.
Read Column →November 13th, 2015
Music fans are no doubt familiar with "concept albums," recordings by a given artist that offer a thematically-unified narrative told through lyrics and musical movements. For obvious reasons, these albums, which differ from more standard releases that simply collect unrelated songs, are often compared to novels. Sometimes, musicians take this literary connection quite literally, creating records that are conceptually hinged around books and literature, sometimes to great effect, other times, not so much.
Read Column →November 12th, 2015
By the time you submitted your novel to literary agents, you'd put it through a whole lot of revisions. You'd run it by trusted critique partners. And your query was good enough to get you the coveted partial-manuscript request—or the even more coveted full-manuscript request. So what's up with these rejection letters? Like nearly everything associated with publishing, much of this is simply a numbers game—agents receive a huge number of queries every year, and they can only accept so many clients.
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