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The 10 Types of Horror Stories I’d Love To Read
October 11th, 2016
A few weeks ago Max Booth wrote a column about the Ten Horror Stories Nobody Wants to Read. So, I thought I’d follow up on this with a column about the Ten Horror Stories I’d LOVE to read. Not only have I been an author for the past nine years, with three novels, three short story collections, and over 100 stories in print, but I’ve also edited four anthologies (The New Black, Burnt Tongues, The Lineup: 20 Provocative Women Writers, and Exigencies).
Read Column →On The Rituals Of Writers: New Books, Burnt Offerings, and Fried Zucchini
October 11th, 2016
Twelve years ago, I visited a hostel in the Georgia woods. It's so remote that, when you arrive, you feel like you got lost on your way to the middle of nowhere. Guests stayed in tree houses and everyone contributed to the chores and all the main buildings of the camp—the kitchen, the main office, the library—were geodesic domes that looked like mushrooms sprung out of the forest floor.
Read Column →8 Ways To Salvage Your Yearly Writing Goals
October 10th, 2016
I definitely don’t want to alarm anyone, but I’m here to tell you that there are twelve weeks left in 2016. That’s right, twelve weeks. Until 2017. (Cue frantic flailing and musings on where the year has gone). Surely it was just yesterday that we were setting New Year’s Resolutions and laying out our lofty plans for a prolific year of writing, right?
Read Column →Why Luke Cage is the Superhero We Need
October 10th, 2016
The first time Luke Cage came to my notice was in the pages of 2004’s Secret War. Cage was among the heroes recruited by Nick Fury for an unsanctioned covert regime-change operation in Latveria, and was also the first to suffer retaliation for it in the form of an explosion that leaves him comatose. In the hospital we learn that his unbreakable skin does not negate internal damage, but it does keep doctors from operating on him.
Read Column →Four Life Lessons I Learned from Reading 'The Girl on the Train'
October 10th, 2016
The Girl on the Train is a bestseller. It's also a movie. But if you think that's all it is, you'd be very, very wrong because the Girl on the Train is more, so much more than just those two things. After I'd finished it and pondered for a while what all the fuss was about, it suddenly struck me, as hard as as if someone had hit me square on the forehead with a hardened bread pellet, that hidden in amongst its pedestrian prose and improbable plotting are messages of timeless wisdom.
Read Column →Product Review: Scrivener for iOS
October 6th, 2016
Two years ago and some change, I reviewed the desktop word processor Scrivener for this site. In it, I alluded to the possibility of a mobile iteration of Literature & Latte's signature software.
Read Column →10 Reasons Why Social Media Doesn't Do A Damn Thing For Writers
October 5th, 2016
"I did all this hard work, built up all this social media, and still no one's buying my book? What's up?" We've all been there. And what's up could be that your book sucks (likely) or your social media sucks (likely), but it could also be that social media is worthless for writers. That's my premise. You knew that from the title, right? Let's get to it. Your Book Is Your Baby This is not a good thing in this context.
Read Column →23 Translations: What Your Editor's Queries REALLY Mean
October 4th, 2016
Editors know there is an art to writing author queries. If you've reached the thrilling and terrifying point in your writing career where you work with a professional editor, then you know what I’m talking about. If you aren’t quite there yet, then boy oh boy, allow me to dangle an enticing carrot on a stick. “Author query” can be a confusing term. We know how frustrating and delicate writing queries for agents and publishers can be, but this is a whole other circus: the query from the Other Side.
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