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Populating the Nightmare: Creating Characters

August 4th, 2017

There are many ways of creating characters. For a science fiction novel I tend to create the world first, along with the technology or magic that infects the location and makes it interesting and unique. Then I let the effects of this technology build, and change, mutate and turn bad, and I think to myself: who is the worst possible person to tackle such a force? Who would be most easily overwhelmed by it, damaged by it? So the hero is born. This for me is the first step in bringing a protagonist to life, in opposition to a far stronger power.

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The Surprising Feminism of Stephen King's "The Dark Tower V: Wolves of the Calla"

August 4th, 2017

Stephen King hasn’t written too many prominent female characters since he burst onto the scene with his debut novel Carrie in 1974. Since then he’s had maybe a handful of novels with female protagonists as the lead. Those would include Cujo, Gerald’s Game, Dolores Claiborne, Lisey’s Story and a few others.

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Adventures in the Noir Trade: Mixing Genres

August 3rd, 2017

I am very much a genre man. Rather than the niceties of the well brought-up “literary” novel, I prefer sensational tales told in broad strokes with lots of twists and turns, startling imagery, sharply defined characters, and some event or revelation that makes me sit up and say out loud, “What the hell? That’s amazing!” Quite simply, I want to be struck with awe. And from an early age, science fiction novels fed that essential desire.

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How to Start A Writer Feud

August 3rd, 2017

A couple months ago I got into a writer feud. It wasn’t as bad as when Richard Ford spit in Colson Whitehead’s face, but it was much worse than when Salman Rushdie and Francine Prose were beefing on Facebook about Charlie Hebdo. It wasn’t as memorable because I’m a D-List writer and the other writer is F-List. It was two nobody writers in a micro-scene fighting, which was probably more sad than funny.

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A Madman Scattering Dust: Time as a Theme

August 2nd, 2017

Dayzone is a city that never sleeps, where the lights never go out, where the sky – the natural sky – cannot be seen because of the millions upon millions of lamps, flames, bulbs, neon signs, lanterns and other light and heat emitting devices suspended above the streets. In such an enclosed, sealed environment, one completely cut off from the normal cycle of day and night, and the changing of the seasons, how would people tell the time?

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William Powell And "The Anarchist Cookbook": A Defense

August 2nd, 2017

You might not know the name William Powell, but you've almost certainly heard of his book, The Anarchist Cookbook, and you might have seen a new documentary, American Anarchist, about William Powell and The Cookbook’s legacy of violence.

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15 Famous Authors I Wouldn't Want to Have a Beer With

August 1st, 2017

I know a lot of authors, and some of them are among my favorite people in the world. Having food and/or beers with an author or a group of authors is something I go out of my way to do any chance I get. That's the main reason I go to conferences, readings, and even house events. Just last night, I got in my car, which has no AC, and braved the 100-degree Texas heat so I could go listen to, hang out with, and share a meal with authors Rob Hart, Jordan Harper, and Bill Loehfelm. That's how much I like hanging out with writers.

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Return of the Son of Twilight Zone: Dusk as a Theme

August 1st, 2017

Just as I’m happiest in the autumn months, so dusk is my favourite time of day. It’s a time when objects, thought and feelings lose focus: the light gives way, yet darkness has not yet taken control. Because of this ambiguity, dusk can be difficult to describe in words, and it might well be this difficulty which has drawn many poets and novelists towards it as a subject matter. Here is the paradox: if dusk is described too exactly, it loses its essential nature.

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Celebrating Success: How 5 Authors Celebrated Their First Story Sale

July 31st, 2017

I’ve been thinking a lot about celebrating story sales recently, prompted by a Lovecraft eZine Podcast in which Jon Padgett spoke about Thomas Ligotti’s ‘victory walk’ upon finishing a story.

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A Lamp in the Darkness: Finding a Structure

July 31st, 2017

Read part 1 HERE. I’ve found, even after more than twenty years of writing novels, that every book finds its own working method. No two books are the same, and no two books come into being by the same means. Despite being utilised  by a number of authors and editors, the standard three act structure developed for Hollywood screenwriting has not yet made inroads into the novel. So there is no readily available map or blueprint. This, I believe, is a good thing.

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