Columns
Showing 3538 Columns
Showing 3538 Columns
May 31st, 2018
DC Comics loves origin stories. Just about every superhero in their stable has had their beginnings retold at least twice. On television, DC continues to produce prequel series that explore the early development of some of its most iconic characters. From Smallville to Gotham, they’ve done it so many times now that it’s become a formula.
Read Column →May 30th, 2018
Think of any short story or novel that you’ve ever read and I can pretty much guarantee there is tension involved—and that it builds. Even the most innocent of nursery rhymes and fairy tales have tension.
Read Column →May 24th, 2018
You can read part 1 HERE “It’s probably your fault.” –Good Ass Kicking
Read Column →May 23rd, 2018
This month sees the arrival of a new biopic about Mary Shelley, the author of Frankenstein and wife to one of Britain’s most celebrated poets. To mark its release, we’re looking at some of our favorite facts surrounding the life and work of this groundbreaking writer.
Read Column →May 22nd, 2018
For anger slays the foolish man and jealousy kills the simple. -Gob 5:20 p.m. Something like twenty years ago I was stranded for what seemed like days in a hospital waiting room while my brother got a Total Recall-esque benign mass/government tracking device removed from his nasal cavity, and to kill time my dad and I started pondering the idea of writing our first screenplay. This was his initial brain tempest:
Read Column →May 21st, 2018
When’s the last time one of your characters told a lie? A small one or a big one, doesn’t matter. Lies are an under-used facet of real-life interaction that don’t get enough play in fiction. Characters telling too much truth too much of the time makes for some very boring, very rote storytelling. Simple lies, elaborate lies, systematic lies, Santa Claus lies—all ways to push a story and a character into a new, more interesting, more real place.
Read Column →May 18th, 2018
I do my best to spread the good word about all books, and when doing so, I have to accept that Big Five publishers regularly put out outstanding work. That being said, fans of horror will find a lot to dig their teeth into if they pay attention to what's happening in indie publishing. Why? Because small presses are putting out some of the most unique, exciting, gory, and entertaining horror there is. Here are a few that every horror fiction fan should know.
Read Column →May 17th, 2018
I had wanted to put out a print magazine for CLASH for a while, but it was never a pressing project. Literary magazines don’t make that much money, after all (hey, sorry, it’s true). Whenever I felt the impulse to put one together I would remember how all of my favorites ended up folding in a year or two. "Was it really worth it?" I asked myself.
Read Column →May 16th, 2018
Emery Lord’s When We Collided, a 2016 YA contemporary novel about a girl with bipolar's summer of love, was one of my most highly anticipated reads about a year and a half ago. I’d never read any of Lord’s books, and was just really diving into my young adult fiction obsession, but I had heard it was a book about mental illness, and that spoke to me. Plus, the cover is stunning!
Read Column →May 15th, 2018
One of the great, unsung aspects of any writers' workshop is what you learn from reading the critiques of someone else's story. You get to see the entire process, from story to critique, and you get to exist outside of that process. You can have an emotional detachment that's hard to come by when it's your own work.
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