Storyville: What Do You Have the Authority to Write?
Experience vs. research: What stories are yours to tell?
Who Owns The Story?
By Peter Derk
In:
Character
What gives you the right to tell someone else's story?
The Sound of Absence: Utilizing White Space in Poetry
This essay explores how white space can be used in poetry as a literary device that thrives on the power of absence.
Why Every Author Should Write Haiku
By Jay Wilburn
There are important things prose authors can learn by experimenting with haiku. It is an easy artform to take up, but difficult to master.
The Importance of the Character Interview
By Cina Pelayo
The more that you know about your characters, the more confidently you can write about them.
Lessons I Learned Ghostwriting Romance (as a Non-Romance Writer)
By Jay Wilburn
After ghostwriting many romance novels, Jay Wilburn learned some lessons that helped with writing stories in other genres.
Curious not Confused
By Joshua Isard
Finding the right amount of information to include in a story can be a difficult task for any writer.
10 Things Wrong with All My First Drafts
By Jay Wilburn
In:
Rewriting
No first draft is perfect. We all have bad habits and bad habits show up a lot. Here are 10 things Jay Wilburn seems to find in all his first drafts.
Storyville: Writing Horror in a Post-Covid World
How do you write dark fiction in a post-Covid world? Be a phoenix, rising from the ashes.
What I Learned From Writing "A Return to Spring"
By Gabriel Hart
In:
Research
Think about all the stories that fall under radar, which sculpted your town into the place it is today.
Science Versus Faith in Fiction
By Peter Derk
Is science an overused tool in writing? What do you stand to gain by adding faith to your fiction?
Nothing New Under the Mistletoe - 40 Versions of "A Christmas Carol" You Should Check Out
In:
Theme
I love "A Christmas Carol", and I thought I'd seen every version out there—I was wrong.
Storyville: Body, Mind, and Soul—Adding Depth to Your Stories
Using the concept of body, mind, and soul, you can create a deeper experience with your stories.
On Using Personal History As Fiction
The international best-selling author and MasterClass teacher discusses the basis of all fiction.
That Time I Ran a Virtual Literary Festival (and Lived to Tell the Tale)
By Leah Rhyne
In:
Live Reading
Many literary festivals went virtual in 2020 (& likely will do so for the first part of 2021). This is a first-hand account of why my organization did it, how we did it, & how we (barely) survived.
Storyville: How Long Should Your Story Be?
In:
Structure
Is there enough meat on the bone to support your word count? It depends on a number of variables.
Storyville: 10 Tips on How to Be a Good Critique Partner
In:
Workshop
Advice on how to be a good critique partner, no matter what the situation.
Meandering, Wrecked, and Random: My First True Understanding of Narrative Structure
In:
Structure
Davidson finds her debut novel, "Sybelia Drive", over the course of 20 years of wandering.
Five Things to Keep in Mind for a Great Opening
In:
Voice
The first line. The first paragraph. The first page. The first chapter. They all matter. A lot. Here are some things you should keep in mind to get them right.
Storyville: Foreshadowing in Fiction—How to Set the Stage
In:
Literary Devices
Tips on how to use foreshadowing to write layered stories with powerful emotion.
Conjuring Strength Through Poetry: Battling the Slasher Movie in Your Head
In:
Poetry
Horror poetry reaches out into the darkness in hopes that understanding the shadows will shed light on our fears.
Showing and Telling, and Trusting the Reader
By Joshua Isard
We all know the cliche, "show don't tell," but it's still a common issue with young writers. That's where trust comes in.
Storyville: Why Denouement is So Important to a Satisfying Story
In:
Structure
Advice on how to make your denouement really shine.
A History of Live Readings Featuring Max Booth III
In:
Live Reading
I am lonely and miss performing for people. Let's take a trip down memory lane.
