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Showing 3539 Columns
March 14th, 2019
I picked up a book that’s been sitting on my shelf for a bit. Most times when this happens, I don’t actually know how long the book’s been on the shelf. But this time, a few pages in, I found the original receipt stuffed inside. Guys, I have a couple months to read it before I’ve owned it, unread, for a decade.
Read Column →March 13th, 2019
photo by Adam Klepsteen No one would put sour milk back in the fridge and expect it to be fresh tomorrow. The same logic applies to a bad manuscript. It won't improve without a grueling effort to make it more palatable to discerning agents and editors. When considering a major overhaul for a book-length project, writers need to ask themselves hard questions. Below are the first five you should ask yourself when considering the dreaded rewrite.
Read Column →March 12th, 2019
Original image via Free Images Open submissions are basically speed dating for publishers/editors/agents. The first line of a book is that first glimpse across the table. It is the first impression. It is the moment when an editor honestly asks themselves: am I into this or not?
Read Column →March 11th, 2019
Every now and then, a comic book adaptation does the impossible. It not only translates its source material to another medium (tricky enough on its own), but actually improves upon it in almost every way. Plot holes get patched, characters get fleshed out, and dramatic tension is cranked to eleven. The original is still great, but the adaptation fixes a lot of flaws, making it more accessible to a larger audience.
Read Column →March 8th, 2019
Perhaps, like me, a lot of you were pretty excited by the Captain Marvel trailer. She punches out an old lady on the bus! Finally, a hero who represents my interests! But perhaps, unlike me, you didn’t squander your youth with comics. Maybe you wasted your time, I dunno, building relationships, skills, or connecting with family. I’m not going to judge your terrible decision-making. Instead, I’m going to give you popcorn-munchers a quick primer on Captain Marvel.
Read Column →March 7th, 2019
Every year, most likely, there’s a big writers’ conference in your area, one where aspiring authors gather to pitch their novels to agents in the hopes of landing representation. And every year, most likely, there are a whole lot of writers who get super psyched because one of those agents liked their pitch, liked their first 50 pages, and requested their full manuscript—only to get super bummed, either a matter of days or an archeological age later, when that agent decides to pass.
Read Column →March 6th, 2019
If you can believe it, podcasts are still a relatively new thing. There was a time when only the early-adopters (Apple cultists, people with raspberry jam on their hands, men called Keith, etc) knew what a podcast was. Now everyone's got a podcast or two on the go. Even my granddad has filled his iPad to bursting point with hours of World War 2 documentaries. And as the medium continues to flourish at a rate only comparable to the introduction of biscuits in England, so too, does the sub-genre of horror fiction podcasts.
Read Column →March 4th, 2019
Dear World, On February 11, 2019, The New Yorker released a long-form article documenting the numerous and inexhaustible lies told by bestselling author Dan Mallory (writing as A.J. Finn). This is the story of how I fell for his lies, and how I took them personally.
Read Column →March 4th, 2019
The last time I wrote about Netflix’s The Punisher, I was severely disappointed. The show had fundamentally misunderstood its main character, and wasted a ton of screen time sanding off all the hard edges that make Frank Castle interesting, in a misguided attempt to make him a more “likable” protagonist. Much to my dismay, the second season of The Punisher repeats all of the sins of its predecessor while adding a host of new ones.
Read Column →March 1st, 2019
In 1925, Theodor Seuss Geisel was asked to leave Dartmouth College’s school newspaper, the Jack-O-Lantern, for drinking during the Prohibition. In order to continue working at the paper without the school’s administration knowing, Geisel decided to adopt the pen name “Seuss.” He added the “Dr.” as a poke at his father, who’d always encouraged his son to get a PhD.
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