Columns

Book vs. Film: Winter's Bone

October 6th, 2011

Allow me to preface my own megillah: this series is one that focuses on the best effort to tell a story. If a film adaptation is awful, I'm going to tell you. If the book is awful, I'm going to tell you. Perhaps both--reach into recent history and I'm sure you can recall both terrible novels and their ungodly film versions. Think: vampire. If the source material and the film are wildly different, I'm definitely going to tell you. But the story itself is my concern. Sound good? Let’s do this. Beyond here be spoilers.  

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Cliche, the Literary Default

October 5th, 2011

Original Photo by Gerhard Lipold As writers, we’re constantly told to avoid the cliché. MFA programs in particular indoctrinate an almost Pavlovian shock response against it; workshops introduce a wearingly familiar ritual where even the most minor characters are raked over the literary coals if they fail to achieve Hazel Motes levels of compelling. To an extent the witch-hunt is justified.

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The Top 10 DC Comics Relaunch Titles

October 4th, 2011

"What are they thinking?" It was the question posed in comic shops all around the world and a topic of much debate amongst the many message boards out there. Why would DC take all their comics, relaunch everything with brand-new number one issues, and change the history of characters - and the DC Comics universe as a whole - when there is already such a rich history? 52 new books released within the span of a month. A lot of people want to know which books are worth their money and which are better left to rot on the shelf.

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Contents Unchanged: Don't Judge A Book By Its Packaging

October 3rd, 2011

Image by Mattox via Free Images Shortly after the new year, when it became apparent that Borders Books and Music would be shuttering its doors, my father wrote me an e-mail and reminded me that I might want to spend any unused gift cards I had laying around (these being a favorite of outer-orbit family friends and relations). Once the chain had sunk for good, they would be worthless.

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This Is Not Oklahoma: OK vs. Okay

October 3rd, 2011

Whatever prose sensibilities you have, they most likely don’t let you use, say, ampersands in your fiction. Why, though? Is it that that kind of symbolic shorthand foregrounds itself on the page, taking attention away from the words that are trying to mean by way of sound rather than sight? Is it that we associate that kind of symbolic economy with billboard signs, which need to be readable at highway speeds? Is it that the word the ampersand is replacing, ‘and,’ isn’t all that bulky in the first place, kind of suggesting that shortening it’s redundant?

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The 10 Best Sci-Fi Books That Should Be Box Office Blockbusters

October 1st, 2011

It seems as if Hollywood is entirely bereft of fresh material. Next year, three different live-action Snow White films will be released in the States. Disney is still terrorizing audiences with the threat of fifth and sixth Pirates of the Caribbean flicks. The undoubtedly abysmal ninth Hellraiser film was released this year. And yet the dudes with the deep pockets can’t find it within themselves to fund adaptations of some of the greatest sci-fi novels of all time? Producers, if you’re out of ideas, please allow me to help. I work for beer.

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Offline Marketing: How To Promote Yourself Without A Computer

October 1st, 2011

Image via Free Images I follow a lot of literary journals and independent bloggers, so about three or four times a week I’m hit with that update regarding so-and-so’s top however-many tips on social networking—typically, a litany of how-to’s in relation to Twitter hash tags and Goodreads book giveaways.  They never tend to be anything particularly enlightening (read enough of these and you start to see the same ones crop up), however, these posts seem to be contributing to a prevailing trend in literature that is: getting people to pay attentio

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