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Showing 3544 Columns
November 2nd, 2011
The very first NaNoWriMo (that’s National Novel Writing Month, for the uninitiated) took place in July, 1999, in the San Francisco Bay area, consisting of a mere twenty-one participants. The goal: hit 50,000 words by the end of the month. Alas, the results were admittedly subpar and publication remained elusive, however, somewhere during the process an important discovery was made: it was fun. Yes, writing with your friends and getting cracked out on power coffee and candy bars was actually a good ti
Read Column →November 1st, 2011
Original image via Pexels What the heck are we talking about? Welcome to November. If you are participating in National Novel Writing Month (NaNoWriMo), then you have just embarked on your month-long novelling odyssey. To help you reach your daily word counts, I’m going to focus on ways to enrich your description.
Read Column →October 31st, 2011
Header image by Ricardo Esquivel Previously on Terrorsleep
Read Column →October 31st, 2011
Author photo by Shane Leonard via stephenking.com Horror Literature. Is that an oxymoron? Horror equates to trash. Horror stories cannot be considered as literature. Whilst good books improve the mind, Horror rots it. If you read trash, you’ll end up with junk for brains. If you read too much Horror, you’ll go blind.
Read Column →October 28th, 2011
Photo via Freeimages.com Moviegoers whose taste in cinema consists entirely of keeping up with the Joneses, or if they’re confident in their ignorance, being the Joneses - the middlebrow, the great washed – believe that Hollywood takes fine literature and inevitably turns it into shit, though of course the middlebrow euphemism for shit is bad movies. Take The Bridges of Madison County. Now that is a great book, they all agree - but what a bad movie! In fact, The Bridges of Madison County was shit to begin with and shit it remained onscreen.
Read Column →October 27th, 2011
Photo by zafarrancho It’s common for many writers today — beginners and pros — to deliver characters on a sort of post-modern pedestal. Instead of offering compelling, substantive, flesh-and-blood people, the writer is instead content to use characters as a social springboard to evangelize some sardonic commentary about the modern world as we know it. Regardless of its wide usage, producing characters for quick reader judgment is almost always a bad idea.
Read Column →October 26th, 2011
Header via Free Images So you’ve published a book. Maybe you landed a fat contract from a publishing house. Maybe you went the DIY route, formatted your book and slapped it up on Amazon. Either way, congratulations! You are an author! You are also a brand. And you better put some serious thought into how you sell yourself. Because here’s the thing: No one’s going to just buy your book. You need to sell it, and more than that, you need to sell yourself.
Read Column →October 26th, 2011
Find out about Christopher Bram's 'Beginning The Novel' class, which begins May 28th!
Read Column →October 25th, 2011
Photo by christgr Last time, we tried starting a story by writing the end first. You may eventually place the ending you wrote at the actual end of the story, or, as we discussed using an example from The Usual Suspects, you might use part of the last scene to open your story.
Read Column →October 24th, 2011
Out of Oz marks Gregory Maguire’s fourth and final book in the series beginning with his brilliant, beloved Wicked. Maguire’s Wicked universe is richly complex, politically contentious, and filled to the brim with nuanced characters—all of which is wonderful to read but super tough to remember. Out of Oz is released on November 1st, and readers have a lot to recall if they’re going to travel that labyrinthine yellow brick road once more.
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