Columns

Storyville: How to Get An Agent

March 13th, 2012

UPDATE: Since publishing this article, I HAVE gotten an agent. Been with Paula Munier for a few years now. Also, I've updated some of the presses to reflect the current industry standards here in 2019.

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Blue is For Boys, Orange Is For Girls

March 12th, 2012

March 8th saw the announcement of the Orange Prize 2012 long list, which featured 20 novels from a diverse set of authors. Four tricky second novels, five debuts, several entries from well established writers. An international bunch too: eight Brits, seven Yanks, three Irish (for a small country Ireland punches above its weight litry-wise), a Canadian and a Swede.

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What Is Fantasy?

March 9th, 2012

Hello and welcome to the first in a regular series of columns covering the world of fantasy literature. Of course, it would probably be useful if right off the bat we could talk about what exactly fantasy literature is. To many, it’s men in armor with swords, wizards and magic, the standard template set down by J. R. R. Tolkien, C.S. Lewis, J. K. Rowling and a number of other writers with initials in their names. The reality is that fantasy is so much more than that.

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Book Vs. Film: John Carter

March 9th, 2012

Edgar Rice Burroughs’ Barsoom series is rightly recognized as a seminal achievement in modern science fiction. The Tarzan author wrote eleven books in over thirty years set on his war-torn, techno-magic version of Mars, blazing a trail for all who followed. The books feature many of the familiar trappings of the space opera: multi-limbed aliens, feisty princesses, mystical priesthoods, badass weapons, and loveable monsters.

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Drag it Out: How to Use Extended Metaphors for Maximum Effect

March 8th, 2012

I love metaphors, and I find them useful in all facets of my life as a way to understand new concepts by comparing them to familiar concepts. Take my work history, for instance. In my early post-college days, I worked as a nanny for a family with three young boys. My days were spent running around making sure everyone was where they were supposed to be, had what they needed, and was doing what they were supposed to be doing. My next job had me working as an administrative assistant at a shipyard, supporting an office of 40 men.

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The Long & Winding Road: Part 1- Writing The Novel

March 8th, 2012

The Long & Winding Road is a multi-part essay about how I wrote my first novel, found and secured my agent, my experience revising both with and without an agent, what happened when we tried to sell my first novel, and where I now stand on this ever changing road toward publication. IN THE BEGINNING In late 2004 I started writing my first novel. It happened a bit by accident. The idea was to write a screenplay, because I was living in Los Angeles, and that's what people do in Los Angeles.

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Top 5 Mysterious Authors

March 7th, 2012

We are now in a state of affairs when an author, particularly a new kid on the block, is expected to build a platform, a fanbase, often before even a single line of their work sees print. Twitter followers and page hits are a vital step in appealing to publishers, important signs for whether an author's work will actually be bought. It's already becoming difficult to conceive of a life with complete and utter privacy, particularly in the case of a writer, so dependent on exposure the process has become. It was not always so.

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Don't Judge A Comic Book By Its Movie

March 6th, 2012

The only thing Hollywood loves more than making movies is turning other things into movies. We live in an age where film is fast replacing literature as the record of culture. Film reviews take up more and more printed space while book reviews dwindle. We live in an age where it’s generally accepted that if something's worth knowing, there should be a movie about it.

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Book vs. Film: Drive

March 5th, 2012

I’m not the type of reader who obsesses over whether the film adaptation of a novel is true to the original text or not.

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Ask The Lit Coach: "Will A Publisher Take A Master Thesis Seriously?"

March 5th, 2012

When I was a literary agent, I would often read queries from writers fresh out of undergrad or MFA programs. I was always happy to consider their thesis projects and frankly, it didn't matter to me where they went to school - I just cared about the work itself and whether or not the writer had any previous publishing success. Not all agents are the same, though. This week, we're discussing how to pitch thesis work. 

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