Columns
Showing 3544 Columns
Showing 3544 Columns
November 2nd, 2012
For this edition of Storyville, I’d like to talk to you about NaNoWriMo and free writing. I’ve never been big on plotting out stories. I don’t want to push my characters towards certain outcomes instead of observing and interacting while letting the organic and instinctual actions rise to the surface. There is a lot to be gained by sitting down, plugging in and letting go.
Read Column →October 31st, 2012
Fear is subjective and personal. The things that haunt your nightmares and the things that cause my breath to quicken—they are probably not the same. Some people are hit hardest by subtle seeping dread and things unseen. Others, by in-your-face gore and guts. Still others, by the darkness of the human psyche.
Read Column →October 31st, 2012
LURID: vivid in shocking detail; sensational, horrible in savagery or violence, or, a guide to the merits of the kind of Bad Books you never want your co-workers to know you're reading.
Read Column →October 30th, 2012
Stories cross mediums like clouds cross skies, an' tho' a cloud's shape nor hue nor size don't stay the same, it's still a cloud an' so is a story.
Read Column →October 30th, 2012
Flash fiction: A style of fictional literature marked by extreme brevity. Welcome to LitReactor's Flash Fiction Smackdown, a monthly bout of writing prowess, in which you're challenged to thrill us in 250 words or less. How It Works We give you a picture. You write a flash fiction piece, using the picture we gave you as inspiration. Put your entry in the comments section. One winner will be picked, and awarded a prize.
Read Column →October 30th, 2012
There is just no possible way that I could let the ghastliest, grossest, most ghoulish month pass by without a special installment of Guess The Plot. Because nothing says "Halloween" like trying to figure out what in the name of Frederick Krueger is going on within a classic horror novel based only on the insanity on its cover.
Read Column →October 29th, 2012
In the spirit of the upcoming holiday, here’s a column dedicated to all those nasty characters we love to hate and hate to love—the bad guys. While compelling villains that prove more fascinating than the hero are certainly not unique to comic books, it is the one place where you see it explored in abundance. A handful of literature’s greatest antagonists might get a novel written about them decades after their original creator is dead. A good supervillain can star in his own ongoing title, and thus keep living, scheming, and returning to wreak havoc forever.
Read Column →October 29th, 2012
Navigating the rough terrain of today’s publishing industry shouldn’t be a solo event. This week in Ask the Agent, I’ll explore and dissect two of the industry’s mysteries, straight from the shoulder. Question from Lauren Can you give us some tips on writing loglines/elevator pitches? I'm having a hard time boiling everything down to a line or two.
Read Column →October 29th, 2012
Beware spoilers. Oh, Merle, how we have missed thee. This speaks to the strength of Michael Rooker. It's commendable how he can make you glad for the return of a racist psychopath. There was something incredibly endearing to him tonight--maybe because the writers are toning down the cartoonish nature of the character, and playing up the actor's charisma. He's also helped along by the badass knife arm that's replaced the hand he hacked off back in the first season.
Read Column →October 26th, 2012
Most of the time proper literature deals with death, it is presented as a beautiful thing: a knight's brave sacrifice, a lover's romantic suicide, an old person's fond farewell. But this spooktacular time of year pulled my focus towards another kind of literary death. You know, those dark and dastardly acts that run the bloodthirsty gamut from spine-tingling to gut-churning. The murders.
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