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Sixguns & Sorcery: The Weird Western
March 14th, 2013
One of the great things about fantasy fiction is that it mixes well. Fantasy elements can be added to most other types of fiction quite easily. Mix it with noirish mystery and you get urban fantasy. Stir it with science fiction and you get science fantasy. Splash it on romance and you get paranormal romance.
Read Column →Finding Your Writing Rhythm
March 13th, 2013
[Pictured: Legendary drummer Neil Peart] The question was to be expected. It's asked almost every time you put a group of authors in front of an audience. "How do you become a writer?" The student who asked the question was younger than the four us on the science fiction panel at Comic Con Portland. It usually works that way. I gave the obvious answer. "Write," I said. Then I followed up by saying, "and make sure you call yourself a writer."
Read Column →Comic Book Death Is Irrelevant
March 13th, 2013
It’s one of the first things you learn as a comics reader — don’t get too emotionally invested in the death of a character, cause they’ll be back. Usually before you can even miss them. The latest to suffer an irrelevant death is Batman’s most recent Robin, aka Damian Wayne, Batman’s son, aka the grouchiest Boy Wonder ever. This death, spoiled prior to the release of the comic just about everywhere, was a long-planned plot point of Grant Morrison’s in his Batman Inc. series. While the book itself (Batman Inc.
Read Column →The Blagger's Guide to Jack Kerouac
March 12th, 2013
To blag (v): to sound like you know what you’re talking about when you don’t. The Blagger’s Guide to Literature (n): an invaluable resource for those who wish to blag about books without actually reading them.
Read Column →Comic Book Plot Developments That Are No Longer Twists
March 12th, 2013
We all want to read a story that can surprise us. Every time you open a book, you do so in the hopes that it will be at least different enough from everything else you’ve read to be interesting. Even when we read the same kinds of stories over and over again, we do so with an appreciation for the variations of the familiar form. Often the most damning criticism one can offer an otherwise brilliant piece of writing is that it’s been done before, thus lessening its value. Perhaps that explains popular fiction’s recent obsession with twist endings.
Read Column →Storyville: Writing the Grotesque
March 11th, 2013
One of my favorite sub-genres, next to neo-noir and transgressive, is the grotesque. It’s actually quite similar. Let’s talk about what this style of writing is all about, and how it can help you to write better fiction and tap into your veiled weirdness.
Read Column →A Literary History Of Oz
March 8th, 2013
"The land you know. The story you don't." That's the tagline to Disney's $200 million Wizard Of Oz prequel, Oz: The Great And Powerful, which hits U.S. theaters today. But do you really know the Land of Oz? Sure, you've seen the 1939 classic starring Judy Garland. It is, after all, not just an inextricable part of pop culture but also one of the most watched films of all time.
Read Column →From Elphaba To Grendel: Ten Twisted Fairy Tales
March 8th, 2013
This month brought the premieres of Jack the Giant Slayer and Oz The Great and Powerful to our silver screens, and with them a reminder that we, as an audience, love twisted fairy tales. We want to draw back the curtain and see our most classic yarns spun from a different perspective. We want to root for the villain, blame the hero, grow to know that quirky little tertiary character who only darted across the page the first time we met him.
Read Column →Orson Scott Card’s Personal Beliefs Are Appalling, But...
March 7th, 2013
...does that mean you can’t enjoy his work? A lot of comic book fans are asking themselves this question since the controversial news broke that Card was tapped by DC to write a two-part story in its forthcoming Superman Anthology - The Adventures of Superman.
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