Columns

Edit My Paragraph! Episode Four

September 16th, 2014

First up this edition, we have Christopher Derrick with the following paragraph:

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An Abundance of Robin Hoods: How Social Bandits Defy Time and Culture

September 15th, 2014

Robin Hood (or Robehod, or Robynhod— the variations are practically endless) first began appearing in ballads sometime back in the fourteenth century. In the many decades since, the myth of the famed outlaw has proven incredibly adaptable. Whenever an authority grows too powerful and begins to usurp the common people, Robin Hood-like characters start to appear in film and literature. From Batman to Katniss Everdeen, elements of the “social bandit” trope can be found in practically every genre and type of storytelling.

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Footnotes: Fifty Years of Roald Dahl's Chocolate Factory

September 12th, 2014

Watch with glittering eyes the whole world around you, because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it.

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On Weed: Should Writers Write While High?

September 12th, 2014

A woman at the dispensary searches for something called "Green Crack." She tells me this strain is ideal for writers. There are a few great strains, but Green Crack would be the best. Marijuana is legal for recreational use in Colorado. There are some restrictions and other funky laws that tag along, but the average Colorado citizen can avail herself of the services provided by everyone's favorite green friend without going to a lot more trouble than it takes to buy a beer or a lottery ticket.

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Back-to-School with Six Historical YA Fictions

September 11th, 2014

With back-to-school on everyone’s mind, what better way to further your education than with a novel set in a historical time period? From Lindsay Smith’s KGB spy thriller set in Communist Russia to Makiia Lucier’s page-turning suspense story about the struggle to survive the 1918 pandemic flu, we are exploring six books that richly depict life in a specific time period.

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Six Tips for Troubleshooting the Novel

September 10th, 2014

The most prolific authors will pen something like forty novels over the course of their careers. Busy acquisitions editors will work with hundreds of those stories, but mainly just the ones that already work (perhaps with a few tweaks here and there). Independent editors are different in that we will work with just as many, if not more, novels over the course our professional lives, but it's our job to actually make them work. (Or help in this regard as much as humanly possible.)

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Where Lit-Fic and Horror Converge: Ten Literary Chillers

September 9th, 2014

I think for genre definitions, we really need look no further than Richard Thomas, a short-story-publishing beast, frequent instructor here at LitReactor and author of the ongoing nuts-and-bolts column Storyville (also featured on this website).

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LURID: Get Your Motor Running — Bad Boy Bikers in Fiction and Memoir

September 8th, 2014

LURID: vivid in shocking detail; sensational, horrible in savagery or violence, or, a guide to the merits of the kind of Bad Books you never want your co-workers to know you're reading.

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Culling the Classics: 'The Bell Jar' by Sylvia Plath

September 5th, 2014

LitReactor presents a special guest edition of Culling the Classic! The Book The Bell Jar by Sylvia Plath (Heinemann, 1963) The Numbers The first paperback edition, brought out in 1972, sold out the first printing of 375,000 copies in a month, and since then trade has been brisk. Total copies sold must number in the millions.

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Storyville: Writing a Novel Without Plotting it Out

September 5th, 2014

How do you write a novel without plotting? That’s insane, right? For me, it’s all about exploring the characters, sitting in their emotions, and making decisions based on logic, passion, conflict, and survival. It allows me to be more honest, and to follow the story to places that aren’t predetermined. For me, it keeps it fresh and exciting. Here are some tips. I hope they help.

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