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Showing 3538 Columns
June 19th, 2015
This year marks the 25th anniversary of Michael Crichton's novel Jurassic Park, a book that would spawn one major blockbuster knockout film, two not-so-great sequels, and piles of merchandise to rival George Lucas's cash-cow Star Wars. Fittingly, 2015 also marks the return of the franchise to the big screen with Jurassic World, which shows us a fully-functioning dinosaur park that exceeds even the imagination of John Hammond.
Read Column →June 18th, 2015
It all started at a writer's conference in Minneapolis earlier this year. There I stood, shivering, cheap red wine clutched in my trembling hand, leaning against a fence outside a run-down warehouse in a part of town our Uber driver scoffed at. "There," he said, his accent thick and meaty. "You want to go there? Well, okay, suit yourself."
Read Column →June 17th, 2015
This isn't an exhaustive guide to starting up a publishing house. That would require an entire book (yes I'm open to a book deal if anyone wants to get in touch). This is what it says it is. Ten tips. Not necessarily the top ten tips, but tips that will set you up nicely as you begin your journey into the world of publishing.
Read Column →June 17th, 2015
Maya Sloan's novel Rich Kids of Instagram, published in July 2014 and based on the popular Tumblr account of the same name, documents the fictional lives of a group of wildly rich and dissolute young people who like to party in the Hamptons. Here, F. Scott Fitzgerald, best known for his classic work The Great Gatsby is alerted to the existence of Sloan's book by his friend Ernest Hemingway.
Read Column →June 15th, 2015
Author photo by Jerry Bauer When you think crime fiction and California, the first city to jump to mind is Los Angeles. L.A. is a staple: Chandler, McDonald, Wambaugh, Connelly, Ellroy, and Parker are among just a few to base their greatest creations out of the City Of Angels. And who can really blame them? Los Angeles is grit and grime. L.A. is glitz and sleaze; it’s the best (or worst, depending on your point of view) example of American excess blended with its rabid poverty. More or less, it’s the ideal city to place a crime story.
Read Column →June 12th, 2015
Courtesan, soiled dove, escort, demimondaine; there are many labels for a practitioner of the world’s oldest profession. Easily one of the most socially marginalized groups in human history, prostitutes have also served as muses for a number of highly complex characters. Alexandre Dumas, Victor Hugo, Stephen Crane, Bernard Shaw, and many other authors drew inspiration from the complicated and often extremely difficult lives of the women (and men) from the red-light district.
Read Column →June 11th, 2015
When it comes to life’s big questions, we rely on many different people for advice: family, friends, mentors, loved ones, and sometimes even strangers. How would our favorite literary characters answer these same questions? How would their words compare to the words of those we trust the most? Let’s find out! For LitReactor’s first round of Advice From A Literary Character, Dean Moriarty from Jack Kerouac’s On the Road is here to answer your questions.
Read Column →June 11th, 2015
Believe it or not, half the year has already passed us by and we are well on our way, racing to the finish. It’s been six months since we’ve talked about highly anticipated young adult releases, but never fear! There is so much to look forward to in this second half of 2015. From much hyped additions to beloved series, to debut novels from new authors, there’s a little something for everyone. Here are ten new releases to add to your TBR.
Read Column →June 10th, 2015
It's been a minute since I dipped my toe in the muddy waters of the eBook erotica scene, and in that time a lot has transpired.
Read Column →June 9th, 2015
The Death of the Author is an essay published in 1967 by French literary critic Roland Barthes. It argues that an author's life and intent should not be considered in literary analysis—the work should stand by itself. The French title of the essay, La morte de l'auteur, is a play on Le Morte d'Arthur, a 15th-century compilation of Arthurian legends, written by anonymous authors and reinterpreted by Sir Thomas Malory, rendering it immune to contextual analysis.
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