Columns

LURID: Love Love Lovecraft

March 15th, 2012

LURID: vivid in shocking detail; sensational, horrible in savagery or violence, or, a twice-monthly guide to the merits of the kind of Bad Books you never want your co-workers to know you're reading.

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False Starts, Dead Ends and Bad Beginnings: A Guide to Successful Storytelling Patterns

March 15th, 2012

The beginning. It’s a rough spot for many first drafts. Writers routinely place a disproportionate amount of attention on their introductory paragraphs, for obvious reasons. As a result, beginnings are often the source of some glaring writer’s anxiety: too many thoughts piled on, too many unnecessary components added, pens leaned on too heavily — all habits that diminish the thematic resonance and overall power of the piece. Sometimes we just don’t know where a story is supposed to start.

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Getting It Right: Accuracy, Truth, and the Fudge Factor

March 14th, 2012

The great thing about fiction writing is: you get to make shit up. The worst thing about fiction writing is: you have to make shit up. Biographers are spared this pleasure/pain double-double-toil-and-trouble. We have to tell the truth, or something like it. It’s not as easy as it sounds.

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No Thanks, Mr Franzen, I Like My Novels Difficult

March 14th, 2012

Let's give praise to Jonathan Franzen. Not only does he write bestselling novels, he also manages to get on everybody's nerves with a few carefully reckless comments.

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Saga: Brian K. Vaughan's Return To Comics

March 13th, 2012

There's perhaps nothing more cliché than a childbirth scene.  We've all seen it done – frequently poorly – a hundred times before. So it only emphasizes Brian K. Vaughan's strengths as a writer that the opening in Saga #1 is a childbirth scene that is anything but cliché. Vaughan both celebrates and subverts our expectations of this scene by creating such fully realized characters that we get a sense of them instantly.

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Storyville: How to Get An Agent

March 13th, 2012

UPDATE: Since publishing this article, I HAVE gotten an agent. Been with Paula Munier for a few years now. Also, I've updated some of the presses to reflect the current industry standards here in 2019.

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Blue is For Boys, Orange Is For Girls

March 12th, 2012

March 8th saw the announcement of the Orange Prize 2012 long list, which featured 20 novels from a diverse set of authors. Four tricky second novels, five debuts, several entries from well established writers. An international bunch too: eight Brits, seven Yanks, three Irish (for a small country Ireland punches above its weight litry-wise), a Canadian and a Swede.

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What Is Fantasy?

March 9th, 2012

Hello and welcome to the first in a regular series of columns covering the world of fantasy literature. Of course, it would probably be useful if right off the bat we could talk about what exactly fantasy literature is. To many, it’s men in armor with swords, wizards and magic, the standard template set down by J. R. R. Tolkien, C.S. Lewis, J. K. Rowling and a number of other writers with initials in their names. The reality is that fantasy is so much more than that.

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Book Vs. Film: John Carter

March 9th, 2012

Edgar Rice Burroughs’ Barsoom series is rightly recognized as a seminal achievement in modern science fiction. The Tarzan author wrote eleven books in over thirty years set on his war-torn, techno-magic version of Mars, blazing a trail for all who followed. The books feature many of the familiar trappings of the space opera: multi-limbed aliens, feisty princesses, mystical priesthoods, badass weapons, and loveable monsters.

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Drag it Out: How to Use Extended Metaphors for Maximum Effect

March 8th, 2012

I love metaphors, and I find them useful in all facets of my life as a way to understand new concepts by comparing them to familiar concepts. Take my work history, for instance. In my early post-college days, I worked as a nanny for a family with three young boys. My days were spent running around making sure everyone was where they were supposed to be, had what they needed, and was doing what they were supposed to be doing. My next job had me working as an administrative assistant at a shipyard, supporting an office of 40 men.

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