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Showing 3539 Columns
Showing 3539 Columns
January 4th, 2012
Header images via Jopwell & Miguel Á. Padriñán The most memorable writing takes advantage of the faculties of human speech. Of all the narrative forms, dialogue is the most human in design. Unlike description or narrative, dialogue requires a person’s presence. As such, it’s intrinsically empathetic.
Read Column →January 3rd, 2012
Over the past three swift moving years, we've witnessed significant changes in the publishing world. Despite the many publishing options available to writers today, some things are still worth the time and investment (book publicity), while other things are not necessarily important (an author blog). One thing that hasn't changed though, is the importance placed on the quality of the work.
Read Column →December 30th, 2011
We may have only gone live in October, but the staff here at LitReactor are a bunch of voracious bilbliophagists who have been steady readin' all year long. So we figured engaging in a some year-ending listrionics would be a great way to play catch up, and would give you a better idea of who we are as readers. Who knows, we might even turn you on to something new. Hope you enjoy.
Read Column →December 29th, 2011
Original image by Bence Szemerey As the years go by and Hollywood becomes more and more bereft of ideas, filmmakers are increasingly turning to the literary world for inspiration. This is not a new phenomenon of course: anybody reading this column can probably remember jumping into a conversation about the latest blockbuster by looking down your horn-rimmed glasses and intoning, ever so smugly: “…but the book was way better!”
Read Column →December 29th, 2011
Here’s a question I hear a lot in writing workshops: do characters have to “change” throughout the course of the narrative? Do they have to learn something or evolve in some way by the story’s end? Or can they just continue unfettered, behaving the same as before?
Read Column →December 28th, 2011
Original photo public domain, via Wikipedia Here is a beautiful coincidence: my eBook version of Ayn Rand's lectures on The Art of Fiction has a typo that tells you everything you could wish to know about what makes a poor writer. See if you can spot it: Literature is an art form which uses language as its toot.
Read Column →December 28th, 2011
Recently, we covered a story about the American Psycho remake—an idea that, initially, I was strongly against. First of all, it’s only been about ten years. Why remake something that isn’t all that old? Secondly: why remake something that was done right the first time? Seriously, who’s going to do a better Bateman than Christian Bale? And how can you take him out of the 80’s? Patrick Bateman
Read Column →December 27th, 2011
It's the age old question: “What advice do you have for aspiring writers?” Considering how difficult it is to crack the publishing industry, one would hope for some kind of grand reveal or “trick,” so to speak. However, the advice authors give is usually two-fold and frustratingly simplistic. The first is to write a lot, although that would appear to be common sense as the vocation calls for you to do this. We could generalize that to pretty much anything.
Read Column →December 27th, 2011
Let's face it: it's been a tough year. In a few days, normal life is going to reassert itself, with its dayjobs and daily writing deadlines, its endless succession of bills to pay. You're probably worse off than you were this time last year, and the seasonal festivities, alcohol abuse, and gift-giving have put a mean dent in your pocketbook. Times are hard. Money's too tight to mention. (Insert your own recession clichés here; it's either that, or I do my Howard-Beale-in-Network impersonation, and no one needs to see that.)
Read Column →December 22nd, 2011
In every industry there are amazing people who are full of passion, dedication and honesty. And then there are scumbags looking to prey on your hopes and dreams so that they can separate you from your wallet. For our purposes, I want to talk about the Nigerian 419 scammers of the publishing industry—the vanity presses, the fake literary agents, and the scam contests—all designed to inflate your ego just enough so you don’t notice their hand in your pocket.
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