We may have only gone live in October, but the staff here at LitReactor are a bunch of voracious bilbliophagists who have been steady readin' all year long. So we figured engaging in a some year-ending listrionics would be a great way to play catch up, and would give you a better idea of who we are as readers. Who knows, we might even turn you on to something new. Hope you enjoy.
Rob W. Hart
The End of Everything by Megan Abbott
There are no gun fights or car chases in this book, but out of everything I read this year, this was the one that had me skipping forward to the end of the paragraph or page to see what happens. It's honest and sad and haunting and poetic and so beautiful it shines.
Choke Hold by Christa Faust
This is a hardboiled, pulpy, badass, sexy follow-up to Faust's Money Shot. Porn and mixed martial arts are a perfect combination for the hardboiled genre, and Angel Dare is a great character. I hope we see her again (and considering the end of this book pretty much demands another installment, I think we might).
Inside Scientology by Janet Reitman
This is a fascinating, in-depth look at the history and lies of a completely batshit religion. It's also terrifying, because it shows you just how far the leaders of this cult will go to protect their brand (like letting a woman die).
Headstone by Ken Bruen
Bruen is a classic Irish storyteller, in that he can talk about buying a loaf of bread and make it riveting. His writing style is completely mad, in the best way possible. And I love his protagonist, Jack Taylor--a hardboiled PI who will smack a fool in the mouth, then turn around and hand his wallet over to someone in need.
Ready Player One by Ernest Cline
I need to preface this by saying that I hate nostalgia for the sake of itself. But this book, a send-up of 80s culture and video games, is a wonderful nerd fantasy, and was the most fun I had reading a book this year. It is also the best sci-fi novel I've read in recent memory.
Fun & Games by Duane Swierczynski
Charlie Hardie is the quintessential hardboiled hero. Chewy on the outside, gooey on the inside, in over his head and nearly indestructible. This book grabs you by the throat and pulls you through the story, barely giving you time to breathe.
Hell & Gone by Duane Swierczynski
Fun & Games is the first installment of a trilogy. This was the second, released a few months after the first. The third, Point & Shoot, comes out in March. It's a very cool release schedule. On top of that, Hell & Gone is a very worthy sequel, amping up the action (and the crazy). I read this in one sitting.
Zone One by Colson Whitehead
If anyone ever tells you that genre fiction can't be literary, hit them in the face with this book. It's a zombie novel, but it's so much more than that. And, there aren't too many contemporary writers who can render New York City as beautifully as Whitehead, and through all the destruction he really makes the city shine.
What You See in the Dark by Manuel Munoz
This is an odd book. It's about a murder in a dusty town and the filming of Psycho from the perspective of Alfred Hitchcock and Janet Leigh. Also, some of the book is written in second-person narrative (a thing I love). It's quiet and big at the same time.
How To Die In Paris: A Memoir by Naturi Thomas
This is a very funny book that is sometimes very sad while remaining very funny. The end made me cry on my commute home, which is probably the most visceral reaction I had to any book I read this year.
Joshua Chaplinsky
5) There Is No Year by Blake Butler
It's like Burroughs fucked House of Leaves and when the baby was born the two fathers looked at each other and thought, I want a paternity test. I would have liked a little more plot, but Butler's use of language is so refreshing and inventive that I let it slide. Muy interesante.
4) Seven Days In Rio by Francis Levy
This ribald farce is a re-imagined Interzone of psychoanalysis and prostitution where all woman are (literally) whores. Hysterical highbrow lowbrow.
3) The Color of Night by Madison Smartt Bell
Incest, Charles Manson and September 11th- this smart Smartt novel chronicles one woman's personal history of sex and violence, and is one of the most effective literary explorations of 9-11 thus far.
2) The Angel Esmeralda by Don Delillo
Thirty plus years into his publishing career, this modern master gives us his first ever book of short stories. It's less a knockout and more a flurry of consistent jabs designed to stun the reader into epiphany. Great stuff.
1) 1Q84 by Haruki Murakami
Weighing in at a whopping 925 pages, this was still the most engrossing novel I read all year. 1Q84 is a literary mish-mash of genres whose world feels completely real, even though that world has two moons and tiny people who crawl out goat carcasses. It takes the preposterous inevitability of true love and makes it plausible, without rendering it a foregone conclusion. This was my first Murakami and it won't be my last.
Keith Rawson
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The Best Crime Fiction of 2011
The Best Crime Fiction of 2011
10) Beautiful, Naked, & Dead/Out There Bad by Josh Stallings
Yeah, I know it’s two books, but they can easily be read as a single volume, so deal with it. Stallings Moses McGuire novels are hard hits of compulsively readable Bukowski noir. By the way, both books are "indie" releases and can be picked up for 99 cents a pop.
9) Already Gone by John Rector
I'm thoroughly convinced Rector is set to become the next big thing. Already Gone is taut, suspenseful, and has the best opening chapter of any novel written this year.
8) Dove Season by Johnny Shaw
This one came entirely out of left field. A brilliant blend of real world border politics and hardboiled pacing. Also further proof that Amazon is willing to take chances on stories and writers that the big six publishers would summarily reject as not being "commercial" enough.
7) Every Shallow Cut by Tom Piccirilli
I've been a longtime fan of Piccirilli, but in his twenty year career I don't think the Colorado novelist has written more honestly or so fearlessly. A brilliant meditation on madness and artistic imagination gone fallow.
6) Crimes in Southern Indiana by Frank Bill
In a year filled to brimming with brilliant short story collections from the likes of Daniel Woodrell, Joyce Carol Oates, and Alan Heathcock, Crimes In Southern Indiana stands out with its bold style and unflinching portrayal of the hard side contemporary mid-western life.
5) The Adjustment by Scott Phillips
This is a dirty, dirty, dirty book from a writer I consider to be the last true noir novelist. Phillips Wayne Ogden is callow, self centered and utterly brilliant in his pursuit of sex and power.
4) Choke Hold by Christa Faust
I think Faust is absolutely incapable of writing a bad book. The follow up to the equally brilliant Money Shot is a must read even if you're not a fan of hardboiled crime.
3) The Devil All The Time by Donald Ray Pollock
Bone chilling in it's execution, Pollock's long awaited full length debut is a fascinating, page turning character study of the horror’s of faith. Pollock’s sharp eye for human frailty and wiry sense of humor will have you reading this amazing novel in one sitting.
2) The Killer is Dying by James Sallis
I’m not even remotely a fan of hitman novels, but in Sallis’ deft hands, he takes an all too familiar concept and creates a rich, starkly poetic, multilayered story.
1) The End of Everything by Megan Abbott
In my opinion there was no novel—crime fiction or otherwise—written this year that can match the pure artistry of Abbott’s tension filled fifth novel. Haunting doesn’t even begin to describe this tour de force as Abbott details the disappearance of a 13-year-old girl and the disintegration of her family as told through the eyes of her best friend.
Brandon Tietz
The Chronology of Water by Lidia Yuknavitch
This book singlehandedly changed my mind on the memoir genre. Lidia’s writing is crushingly honest and packed with emotive prose. This one is now in my ‘yearly reads’ pile. It’s that good
The Devil All the Time by Donald Ray Pollock
Southern Gothic doesn’t get much better than this. Pollock extends the groundwork he laid out in Knockemstiff and delivers a gut-punch of a novel. Fans of the transgressive genre will dig the hell out of it.
The Marriage Plot by Jeffrey Eugenides
Another example of literature done right by one of my favorite authors. It’s a fresh take on the classic love triangle story. Bibliophiles and academics will love all the literary references sprinkled throughout.
Machine Man by Max Barry
Holy shit, this one was like techno crack! Barry’s story of man turning machine is everything I look for in a novel: fast-paced, funny, and action-packed. This is going to make one helluva movie.
Warmed and Bound: A Velvet Anthology
Very rarely do you get to be published with friends and the authors you look up to, but Warmed and Bound was one of those cases. It’s got all your favorites: Craig Clevenger, Stephen Graham Jones, Blake Butler, plus many up-and-coming authors. This is a highlight reel of neo-noir and dark fiction.
Richard Thomas
The Chronology of Water by Lidia Yuknavitch
I never read memoirs, but this one really blew me away—a funny, touching, and compassionate story of survival.
The Necessity of Certain Behavior by Shannon Cain
Winner of the Drue Heinz prize, this is a provocative collection of short stories.
Follow Me Down by Kio Stark
A densely packed novella set in NYC, this is a hallucinatory and entertaining tale.
Green Girl by Kate Zambreno
A vulnerable, alluring story set in London.
The Devil All the Time by Donald Ray Pollock
A dark, wandering tale set in the south, these interlinking narratives pack a punch.
11/22/63 by Stephen King
This reworking of the assassination of JFK set in the 1950s is King's best work in years. 800 pages, but I didn't mind.
Volt by Alan Heathcock
These stories about small town living are universal in their scope, and powerful in their telling.
Zazen by Vanessa Veselka
A captivating story of anarchy and forgiveness.
Crimes in Southern Indiana by Frank Bill
Southern Gothic stories that overlap to weave a dark, haunting narrative.
Men Undressed: Women Writers and the Male Sexual Experience edited by Stacy Bierlein, Gina Frangello, Cris Mazza, Kat Meads
An exciting, touching anthology of women writing as men.
What do we think, folks? Anyone inclined to vehemently disagree? There seems to be a handfull of list-spanning faves. Post yours in the comments.
About the author
Joshua Chaplinsky is the Managing Editor of LitReactor. He is the author of The Paradox Twins (CLASH Books), the story collection Whispers in the Ear of A Dreaming Ape, and the parody Kanye West—Reanimator. His short fiction has been published by Vice, Vol. 1 Brooklyn, Thuglit, Severed Press, Perpetual Motion Machine Publishing, Broken River Books, and more. Follow him on Twitter and Instagram at @jaceycockrobin. More info at joshuachaplinsky.com and unravelingtheparadox.com.
