Columns

The Blagger's Guide to Philosophy and Literature

May 2nd, 2012

To blag (v): to sound like you know what you’re talking about when you don’t The Blagger’s Guide to Literature (n): an invaluable resource for those who wish to blag about books without actually reading them.

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New Release Roundup: Recommendations for May 2012

May 1st, 2012

Every month I'll be toiling in the dank, dark mines of literary obscurity, scouring the catalogues of every major publisher to bring the LitReactor faithful a few choice titles hitting the shelves. The following is a brief look at what's worth checking out in May. Full disclosure: unless otherwise noted, none of the below books have been reviewed by myself or other LitReactor staff. These are just a few recommendations based on publisher's notes and my own opinions. Without further ado:

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My Kindle Experiment: What A Month And Change Can Teach You

April 30th, 2012

A little over a month ago, I wrote about my big, exciting leap into self-publishing, in which I threw an old NaNoWriMo manuscript I had laying about, collecting digital dust in my Google docs, onto Amazon's Kindle Direct Publishing (KDP) platform.

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Ask The Lit Coach: "What Are The Most Important Factors When Writing A Query Letter?" and More

April 30th, 2012

Are query letters that difficult to master or are we just over-thinking the craft to this oft-perplexing piece of marketing material? Let's dig in, shall we? Question from Leif H. What do you feel are the most important factors when writing a query letter? Should I write it out like a text book or should I write it on the semi-serious side?

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Bangs, Whimpers, and Apes: The Top 10 World-Ending Events In Science Fiction

April 27th, 2012

The world ends all the time in science fiction. And, depending on which conspiracy sites you've been reading, it might be Doomsday for real this year. After all, it's not often that the Mayans and Roland Emmerich agree on something.

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The Spiraling Narrative

April 26th, 2012

A good story says something new about the world. An excellent story says something new about the world in a completely new way. Ideally, a narrative’s theme or principle meaning should be enigmatically original. More importantly however, it should be pervasive: it should haunt the story, taking so much residence that it becomes a fundamental cog in its internal logic, a presence reflected in every component of the storytelling process: structure, characters, plot. The power to do so is what ultimately separates great works of fiction from facile entertainment.

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LURID: Aleister Crowley - Print The Legend!

April 26th, 2012

LURID: vivid in shocking detail; sensational, horrible in savagery or violence, or, a twice-monthly guide to the merits of the kind of Bad Books you never want your co-workers to know you're reading.

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Thomas Pynchon: A Primer

April 25th, 2012

Thomas Ruggles Pynchon has a rare kind of fame: he’s one of the most well-known “recluses”, eschewing the generally standard media engagements expected of a writer of his status.

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Fallen Idols: Disappointing Truths About Five Famous Authors

April 25th, 2012

Now you can say it doesn't matter what an author is like as a person, it's all about the prose they create. You can say that and I will disagree. When I read Hemingway, I carry in my mental sidebar an indelible image of the man behind the prose: tweedy, moustachioed bourbon drinker; the man who liked to fish and hunt and whose idea of relaxation was to visit a bullring and watch a couple of toros bleed to death. I like authors to fit the prose they produce.

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The Top 10 Royal Historical Novels

April 24th, 2012

Why are royal families so fascinating? I think, as an American, the entire concept of royalty is so incomprehensible to me as to be wildly intriguing. And the plots in which these monarchs were embroiled - the violence and sexual escapades and atrocities and heroics - make for a damned good read.

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