Columns

Storyville: Three Essential Books On Writing

February 10th, 2014

Today I’m talking about books on writing. I know that there are a million of them out there, but these three are the ones that I’ve read and re-read the most, the books I pick up when I get stuck or am looking for inspiration, the books that speak to me most as a writer. Yes, I own all three.

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11 Science Fiction Novels for the Lovelorn Rocket Jockey

February 7th, 2014

It’s the season of love, or at least the season of professing love through crass commercialism, so it seems only appropriate that we talk about romance novels. But I can’t be the only one who’s tired of ripped bodices and Fabio on book covers. Instead, lets talk about some great romances in the science fiction genre.

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Product Review: The Snugg

February 6th, 2014

More and more, we writers are turning to tablet computers for access to digital and online reading options on the go, as well as access to full-feature word processors in a smaller package for our writing endeavors away from home. Regardless of how you’re using your tablet, protection is a must, and selecting the right case for your precious can seem daunting, given the seemingly endless options available to you.

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Three Books About... Animals

February 6th, 2014

Image by Adam D'Costa Are you a vegetarian? A vegan? Do you only buy products not tested on animals? Want to hear a confession? Me neither. I’ve adopted rhinos and gorillas. I wear leather.  I own dogs and cats and lavish them with toys, treats and attention. I eat meat.

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Overcoming Object Love: How to Write Female Leads Who Are People

February 5th, 2014

My goal in this article isn't to explore the complexity and pitfalls of gender representation. Instead, I want to simplify the issue and teach you how to overcome an insidious (and painfully common) writing disease: Object love.

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Lurid: Nipped In The Bud - Hebephilia in Fiction

February 5th, 2014

LURID: vivid in shocking detail; sensational, horrible in savagery or violence, or, a guide to the merits of the kind of Bad Books you never want your co-workers to know you're reading.

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Authors and Publishers — Why Can’t We All Just Get Along?

February 4th, 2014

Image copyright Toho Company Ltd Well, 2014 started off with a bang in terms of publishing — on both sides of the fence. The shocker about an author who turned down a six figure advance to self-publish her work was only the beginning, and seems to have kick-started the heated debate about self-publishing all over again. Add to that changes (or not) in the traditional publishing sector and the picture doesn’t seem to be getting any less fuzzy.

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Ask the Grammarian with Taylor Houston - Now Taking Your Questions

February 3rd, 2014

One of the most exciting and helpful features we offer in the LitReactor Magazine is our series of columns geared at answering reader questions. As you know, Erin Reel-—publishing and editorial consultant, writing coach, columnist and blog host—led this feature with her masterly 'Ask The Lit Coach' series of columns.

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Beautiful Void: The Importance of Implied Narrative

January 31st, 2014

Image Copyright the BBC “You have to listen to the notes they’re not playing.” At some point in your life, whether in reality or on television, you’ve no doubt heard the statement above used to explain a piece of music, usually jazz, that the speaker thinks the assembled audience is not appreciating properly. Obviously you can’t hear noise that isn’t being made, so what could this nonsense possibly mean? In the case of jazz, I couldn’t tell you.

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UPDATED WITH WINNER - LitReactor's Flash Fiction Smackdown: January Edition

January 31st, 2014

Flash fiction: A style of fictional literature marked by extreme brevity. Welcome to LitReactor's Flash Fiction Smackdown, a monthly bout of writing prowess. How It Works We give you inspiration in the form of a picture, poem, video, or similar. You write a flash fiction piece using the inspiration we gave you. Put your entry in the comments section. One winner will be picked and awarded a prize. This month, you get only 14 words, but there are no limits on structure or number of sentences.

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