Interviews

Books As Weapons of Choice: An Interview with Katie Eelman of Cutlass Press

December 2nd, 2016

2014 saw Kate Layte opening Boston's newest (and perhaps smallest) independent bookstore, Papercuts J.P., in the Jamaica Plain neighborhood.

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A Conversation with Tiffany Scandal About Portland, Second-Person Narratives, And Her New Novella 'Shit Luck'

November 18th, 2016

Tiffany Scandal first landed on my radar with Jigsaw Youth. I don't even remember how I came across the book. Just that I picked it up and one day after work I was reading it while headed somewhere on the R train, and I got so absorbed I missed my stop. That's the sign of a good book.

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The Origins of T.E. Grau’s 'They Don't Come Home Anymore': An Interview

November 16th, 2016

As host of the This Is Horror Podcast I love to dissect storytelling and uncover ways in which writers can improve their craft. Today I deviate from the audio format and onto the page. Having recently worked with T.E. Grau on his forthcoming novella, They Don’t Come Home Anymore, I invited him to spend some time with us at LitReactor to tell us more about the origins of They Don’t Come Home Anymore. Here’s the result.

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That Time Josh Malerman Found a Disembodied Wrist in a Lake: An Interview

November 8th, 2016

With Bird Box and the recently released A House at the Bottom of a Lake—plus, all the short stories he's published in various magazines and anthologies—Josh Malerman has quickly become one of my favorite modern horror writers. I was lucky enough to get the opportunity ask him a few questions about his influences, his band, and his upcoming second novel.

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A Conversation with Jason Sizemore, Editor-in-Chief of Apex Magazine

November 2nd, 2016

cover art by Ania Tomicka I had a chance recently to converse with Jason Sizemore, the editor-in-chief of Apex Magazine, about running a successful online literary publication. If you're not familiar with Apex, here's a little bit of info from their website's About page:

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An Interview with Chris Beckett about Science Fiction, Outsiderhood, and His New Novel 'Daughter of Eden'

October 14th, 2016

Today I have the pleasure of ‘sitting down’ with author Chris Beckett. I absolutely love his literary science fiction novels Dark Eden (LitReactor Review) and Mother of Eden. (Dark Eden won the 2013 Arthur C. Clarke Award and was shortlisted for the 2012 BSFA Award for Best Novel.) His third and final book in the series, Daughter of Eden, just came out on October 6th.

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A Conversation With Tobias Carroll On Short Stories Versus Novels, Teaching, And His Two New Books, 'Reel' And 'Transitory'

October 13th, 2016

The last few months have been busy for Tobias Carroll. His first collection of short stories, Transitory, came out this past August. Then in October, his first novel, Reel, came out. This is on top of being an editor at Vol. 1 Brooklyn, an instructor here at LitReactor, and in general, a good literary citizen, preaching the good book word on the social medias. 

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A Conversation With D. Foy about 'Gutter Opera', The Rigors And Worth Of Touring, And His New Novel 'Patricide'

October 12th, 2016

D. Foy's voice is unlike anything else on the shelves today. His whipcrack debut, Made to Break, caused a stir in literary circles. So many people were talking about it he ended up on my radar for the LitReactor workshop program. I shot him a note and asked him if he was interested in teaching a class. He came back with Gutter Opera, an idea I fell in love with before I'd even finished reading the pitch. 

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A Conversation With Bracken MacLeod About Work-For-Hire, Horror Versus Crime, and His New Novel 'Stranded'

October 5th, 2016

In the course of this interview, Bracken MacLeod refers to his new novel, Stranded, as "John Carpenter’s The Thing meets Jacob’s Ladder.” I don't know that I can describe it much better than that. But I'll try!

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A Conversation With Chloe Caldwell About Truth, Sugar Packets, and Her New Collection 'I'll Tell You In Person'

September 29th, 2016

I'll Tell You In Person is one of the best books I've read this year. I've always enjoyed Chloe Caldwell's personal essays, but there's so much emotional honesty here, such a command of word and self, that it pretty much knocked me on my ass, over and over again.

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