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Showing 3538 Columns
August 23rd, 2022
In July, I trekked up north to Montpelier, Vermont, where I spent 10 days on the campus of the Vermont College of Fine Arts for their Writing for Children and Young Adults residency. It was my second residency, but the first I attended in-person, and something about those 10 days lit up a spark in my soul I didn’t realize I still had. There are so many things I loved about this residency that I’m almost at a loss for where to start talking about it! Almost, but not quite.
Read Column →August 22nd, 2022
When you write for you, you can write whatever the fuck you want, however the fuck you want, and whenever the fuck you want. When you publish, or when you apply to an MFA program, you apply for a residency, or you take on a writing gig for hire, or you work to adapt a book for the screen—with all that stuff, you have to do your thing, and you have to get along with business types while you do it. It doesn’t have to be a horrible, painful experience, though. It can be rewarding, and it can work out to everyone’s benefit.
Read Column →August 18th, 2022
Here are ten authors you should be reading right now. (I’ll link to stories when I can.) I could have made a list of 100, but these are ten that have stayed with me and influenced my writing, and continue to hold my attention story after story, novel after novel, year after year. Who would you add to the list?
Read Column →August 17th, 2022
Look, I have things to say about my experience consuming four nonfiction books this last month: The Great Indoorsman by Andrew Farkas, Dear Damage by Ashley Marie Farmer, XO by Sara Rauch and Dream Pop Origami by Jackson Bliss. And I will start by saying this:
Read Column →August 16th, 2022
Original image by Hamed darzi via Unsplash You’re either a pantser or a plotter. You have to pick one, according to the conventional wisdom of modern writing. The term "pantser" comes from the idea of “flying by the seat of your pants.” It describes a writer who starts with minimal story or character detail—no formal outline, nothing written down—who just makes things up as they go. A plotter is the opposite.
Read Column →August 15th, 2022
Writing Down The Bones, Bird By Bird, The Elements of Style, and On Writing: the Mount Rushmore of “How to write books.” Alan Moore’s Writing For Comics isn’t up there. Why? Is it because he's English? Writing For Comics belongs up there with the greats. It’s thoughtful, it’s a quick read, and holy shit, it’ll save you a ton of time and heartache as a beginning writer. The advice is practical and it's easy to apply yourself.
Read Column →August 11th, 2022
It's common for writers who are starting out to wonder how they can build a brand or a platform for themselves. Supposedly this will get them noticed by agents and editors. It'll help them grow their follower count so they're ready for their eventual book deal. It's the first step in building a reader base and a career. It's also a bunch of bullshit.
Read Column →August 11th, 2022
About a month ago I was at my second grad school residency (the first to be in-person). Before going I’d made a goal to read my work aloud at every opportunity; and so over the course of 10 days in Vermont, I read the opening to a first draft of a YA novel on two separate occasions; read a very personal poem about depression; read some poems from my senior year of high school; and read work that I’d created over the course of the residency itself.
Read Column →August 8th, 2022
Header image via E. Hebishy As conventions return to normal schedules, there are a lot to choose from, whether you are a writer, reader, fan, or reviewer. Depending on your goals, the best conventions for you may differ from someone else, but generally speaking a “good” convention is one that delivers for all parties involved.
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