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Showing 3540 Columns
Showing 3540 Columns
June 27th, 2016
As my exciting story opens, I am being punched in the stomach. And thus begins the career of Frank Burly, and thus begins The Time-Traveling Detective, the first novel by John Swartzwelder.
Read Column →June 24th, 2016
Self-publishing isn't the scarlet letter it once was. Okay, there's still some stigma. But I'll admit, some of that stigma is earned by people like me who crank out some weird, stupid garbage and slap it onto the Kindle store. You can't write 3 Ninjas fanfic and feel like you're free of guilt there.
Read Column →June 24th, 2016
You've taken classes and workshops. You've worked and reworked your fiction, revising from feedback, honing your craft. And now, at long last, you're ready to send your fiction out for consideration by agents, editors, and publications. But whether you're a bright young thing with the world on a string or a worldwise elder with stories to tell, these ten craft issues will make you look like a rookie—and they'll keep you stuck in the slush pile.
Read Column →June 24th, 2016
Known for novels, short stories and screenplays, Harlan Ellison also worked as a film critic. Writing for Cinema Magazine, the Los Angeles Free Press, Starlog and The Magazine of Fantasy and Science Fiction, he built a contrarian reputation, panning such classics as 2001: A Space Odyssey and Star Wars while propping up novelties like Big Trouble in Little China. His writings over two decades, collected in 1989 as Watching, presciently anticipate “Film Twitter”.
Read Column →June 22nd, 2016
I just got back from teaching at the University of Iowa at their Summer Writing Festival, which is always a great time. My classes—Dark Fiction: Writing Horror and How to Write a Popular, Successful Genre Novel—both went over well. And I feel like so much of this topic, where genre fiction meets literary fiction, is fresh in my head, so let’s sit down and talk about this. More specifically, how can literary fiction teach you about genre fiction?
Read Column →June 21st, 2016
The first suicide was the hardest, but by the third, I began to realize that if I was to be a writer, I had to learn to let people go.
Read Column →June 20th, 2016
One of my favorite quotes about writing is by Don DeLillo, and it refers to the draft as a “hideously defective, hydrocephalic and noseless” infant. That is exactly how I've felt about certain pieces I've been commissioned to write over the years, not just when they were drafts, but when they were grown adults as well.
Read Column →June 20th, 2016
Welcome back to What Works & What Doesn't. If you've been following this series of columns, you'll know we're poised to examine the dynamics of Act III, which occupies anywhere from 20 to 30 pages of your script and wraps the story up, even if—and this is important—the audience isn't necessarily "happy" with the results.
Read Column →June 13th, 2016
I was never into comic books as a child. I can remember getting up early on Saturday mornings though, to watch Johnny Quest. I can remember rushing home from school to catch Speed Racer. And there are some foggy memories of Ultraman as well as Johnny Sokko and His Flying Robot. There was the original live-action Batman, with Adam West, of course, and then later, the animated Super Friends, my introduction to the Justice League of America.
Read Column →June 13th, 2016
Last month I had, for one week, a real, honest-to-god, grown-up writing job. It involved some writing, and a whole lot of editing. Some social media stuff. Getting stuff in from other writers. The whole bit. I learned some shit. 1. Editors Earn Their Pay I’ll admit, when the gig came along, I saw dollar signs.
Read Column →Professional editors help your manuscript stand out for the right reasons.