Bookshots: 'Lincoln In The Bardo' By George Saunders

Bookshots: 'Lincoln In The Bardo' By George Saunders

Bookshots: Pumping new life into the corpse of the book review


Title:

Lincoln in the Bardo

Who wrote it?

Bardo’s stylistic, absurd prose is a cause for celebration.

Bestselling author of Tenth Of December and preeminent short story writer of the last twenty years, George Saunders.

Plot in a box:

Wee Willie Lincoln (Abraham and Mary Todd Lincoln’s youngest son) dies, becomes a ghost, and then hangs out and is scared shitless by other ghosts, most of whom don’t realize they’re dead.

Invent a new title for this book:

Turd In A Sickbox

Read this if you like(d):

Pretty much anything by Kurt Vonnegut or Thomas Pynchon.

Meet the book’s lead(s):

Hans Vollman: Prosperous business man crushed by a beam just as his second wife—who was forced to marry the much older Vollman—has fallen in love with him and is ready to finally consummate their marriage. Vollman, of course, doesn’t realize he’s dead.

Roger Bevins III: Homosexual man from your typical uptight, bourgeois 19th century family. Roger decides to off himself, but then changes his mind at the last second. Yeah, he doesn’t think he’s dead either.

Willie Lincoln: Dead son of America’s greatest President. He kind of knows he’s dead, but is having a hard time of it.

Said lead(s) would be portrayed in a movie by:

Hans Vollman: Ian McKellen
Roger Bevins III: Ewan McGregor
Willie Lincoln: Some 10-year-old kid

Setting: Would you want to live there?

Washington DC? No.

What was your favorite sentence?

On other days, everyone she met manifested as a giant mustache with legs.

The Verdict:

I’ll be blunt, I’m not a fan of historical novels. Don’t get me wrong, I love what novelists such as Ellroy, Baker, Atkins, and Abbott have done with the sleazy side of American history, but if a novel takes place in the 19th century, it’s just not my bag. I can say the same thing about ghost stories. Sure, if the ghost(s) in question have taken possession of a little girl or a house and are doing all kinds of crazy, evil shit, I’m all over it. But if the book focuses on a bunch of benevolent spooks standing around talking about how much they miss being alive, it goes without saying that you’ve completely lost me. In fact, the only way I would read a novel like this is if it was written by an author whose been a personal hero for twenty plus years. Then, and only then, would I have even the slightest interest in reading such a novel.

And it just so happens that George Saunders—a writer, who for me, is as close to a hero as my jaded ass has—decided to write a historical ghost story as his first novel. And the thing is, it’s not all that bad. In fact, it’s kind of the first novel you would expect Saunders to write.

Probably the best way for me to describe Lincoln in the Bardo is as melancholy absurdism. It’s a meditation on loss, the preciousness of life (and the absolute ridiculousness of it), and of how humanity is so unwilling to let go of the dead. The ghosts who occupy Lincoln in the Bardo aren’t the ones who are holding desperately onto life (and if they are, it is because they are in denial that they’re even dead). It is, instead, the living who are held fast by their former loved ones, even if said loved ones rarely, if ever, come to visit their graves.

Much like Saunders' satirical forefathers, Kurt Vonnegut and Thomas Pynchon, you either love or hate him with very little middle ground in-between. For longtime fans of Saunders, Bardo’s stylistic, absurd prose is a cause for celebration. For the less adventurous types who need their art spoon fed to them, or don’t want to be intellectually challenged while reading, just go ahead and skip this one. For everyone else, Lincoln in the Bardo may not be what you would describe as a read-in-one-sitting kind of novel, but it will stick with you long after you've finished it.

Image of Lincoln in the Bardo: A Novel
Manufacturer: Random House
Part Number:
Price:
Keith Rawson

Review by Keith Rawson

Keith Rawson is a little-known pulp writer whose short fiction, poetry, essays, reviews, and interviews have been widely published both online and in print. He is the author of the short story collection The Chaos We Know (SnubNose Press)and Co-Editor of the anthology Crime Factory: The First Shift. He lives in Southern Arizona with his wife and daughter.

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