My First (Kinda, Sorta) Book Signing
By Keith Rawson
In:
Live Reading
Keith Rawson talks up his recent author appearances with Johnny Shaw, Joe Lansdale, Owen Laukkanen, and James Sallis.
App-tacular: Writing on Phones, Smart Phones, and Tablets
In:
Plot
We're moving on from the land of computers to writing on tablets and smart phones. Here are a few ways that writing is happening with these new implements.
Path to Publication Part 4: Mea Culpa
By Rob Hart
In:
Rewriting
Looks like I got a little ahead of myself...
Sentence, INTERRUPTED! - Five Ways to Interrupt Yourself (Grammatically)
In:
Grammar
Commas, parentheses, and dashes are just a few ways to interrupt a perfectly good sentence.
Write Or Go Home
In:
Character, Dialogue, Grammar, Narrator, Plot, POV, Research, Rewriting, Setting, Structure, Theme, Vocabulary, Voice
Essays from the doctor himself, Stephen Graham Jones. Stephen is a critically acclaimed author and instructor here at LitReactor. When not contributing craft essays, he also writes for our Magazine.
Writing Powerful Descriptions
Why the best descriptions are the ones that are easily understood, yet leave a lasting impression on readers’ minds.
Short Shorts: Extremely brief prose forms plus LitReactor’s first Short Shorts Contest!
In:
Plot
Learn all about how to write the shortest stories possible, plus enter your own 10 word/2 sentence short short for a chance to win some LitReactor swag. Short short = Win win!
False Starts, Dead Ends and Bad Beginnings: A Guide to Successful Storytelling Patterns
In:
Literary Devices
Why failing to establish clear narrative patterns or ignoring a story’s natural capacity to surprise can render an otherwise compelling work into an instant dud.
Getting It Right: Accuracy, Truth, and the Fudge Factor
By Ed Sikov
In:
Research
A guide to the responsibilities of biographical writing and how to get around them.
Drag it Out: How to Use Extended Metaphors for Maximum Effect
In:
Literary Devices, Similies
A discussion of successful extended metaphors and how to create your own.
The Long & Winding Road: Part 1- Writing The Novel
The 1st in a series chronicling my experiences with my novel, including finding an agent and submitting to publishers. Part 1 details writing my novel and my first partial request from "ideal agent"
The Path To Publication Part 3: When Is Done, Done?
By Rob Hart
In:
Rewriting
In this installment, I discuss why I haven't been able to meet the self-imposed deadline I set for myself last month!
Autobiographical Fiction: Using Your Real Life To Craft Great Fiction
In:
Plot
When crafting fiction from your real life, tread lightly and follow these tips.
Writing in the Negative
In:
Literary Devices
Sometimes the most compelling elements of a story are the ideas and themes that are hinted at but aren't placed directly on the page.
Get Off The Dang Computer: The Benefits Of Hands-On Research
By Rob Hart
In:
Research
The internet is a great resource--but it's not the best one. To really understand how the world works, you have to get out there and experience it for yourself. That's what produces good writing.
Storyville: Where Do You Get Your Ideas?
Where do you get your ideas? Turns out, you can get them just about anywhere. But the best stories tap into your personal experiences and emotional truths.
The Myth of Writer’s Block
In:
Literary Devices
An understanding of how the human mind operates proves that a temporary lack of creative ideas is not the result of “writer's block,” but the result of something else entirely.
The Period Part 2 - Dot Dearth: Postponing The Period On Purpose
In:
Grammar
A continuation of last month's discussion of short sentence lengths. This month we'll explore the merits of the very long sentences.
20 Common Grammar Mistakes That (Almost) Everyone Makes
In:
Grammar, Vocabulary
A list of some of the most common grammatical errors that routinely make it into print.
Change the World: Write Your Manifesto
You are a writer— an artiste! A creator of beauty and meaning. A cultural commentator. A revolutionary! It's about damn time you wrote your manifesto!
Write What You Don’t Know
Of all the rules that apply to fiction writing, perhaps none is more misleading than the common, banal adage that you should “write what you know.”
The Period Part 1--Lots o' dots: How frequent and deliberate use of the humble period can create maximum impact.
In:
Grammar
It may not seem like much, but that diminutive punctuation symbol at the end of your sentence has a lot of power. This article will focus on how to use the period to create different effects.
Storyville: Research and Duotrope
In:
Research
An in-depth analysis of Duotrope.com, one of the best websites for submitting and tracking your writing.
