Jon Gingerich

The Art Of The Rewrite

A true rewrite is not just editing, proofing or copy-editing, but a complete re-imagining of the work. Here’s a four-part process to fortify writers with a successful re-writing plan that works.
Richard Thomas

Storyville: The Journey

In: Research
The journey of a single short story can be a difficult one. Track "Rudy" on his epic voyage.
Taylor Houston

“I tell the truth, even when I lie.”: A Discussion of Unreliable Narrators

Can your narrator be trusted?? Reliable narrators are the norm, but unreliable narrators are great to read and fun to write.
Jon Gingerich

When To Show, When To Tell

Maintaining action is paramount in fiction, but sooner or later we’ll need to deliver expository details for our stories to make sense. So, how do writers engage while providing character depth?
Taylor Houston

Strong Words: Pumping Up Your Writing With Better Vocabulary

Flexing your vocabulary muscle makes your writing better, stronger, and able to leap tall buildings in a single bound.
Jon Gingerich

Writing Sentences With Impact

A guide to writing more active, more immediate, more powerful sentences that will grab your reader’s attention and make them remember what you’ve written.
Richard Thomas

Storyville: Cover Letters and Bridging the Gap

In: Research
Once you've got a story written, how do you send it out into the world?
Taylor Houston

Sixth Sense Settings: Writing Rich, Descriptive Scenes

In: Setting, Theme
Incorporating tone/mood into your settings for realistic descriptions that keep your reader hooked.
Jon Gingerich

Write Characters In A Representation-Free Zone

Many writers eschew compelling characters in favor of mannequin tropes that serve as props for preexisting social messages, or characters a reader can “relate to.” Here’s why it’s always bad writing.
Richard Thomas

Storyville: Finding Your Voice

Embarking on the quest to find your very own literary voice
Taylor Houston

Don't Leave Me Hanging...

The ending is the most important part, and as a writer you should want to write a spectacular ending because, hey, you did a heck-of-a-lot of work on the beginning and middle parts.
Jon Gingerich

Which P.O.V Is Right For Your Story?

A list of the different modes of point of view, with a breakdown of the advantages and disadvantages of each.
Jon Gingerich

Cliche, the Literary Default

Stories start from a default position of cliché: readers go into stories with expectations, and if too many are fulfilled the spell is broken. So, how do writers engage when the odds are against them?
Stephen Graham Jones

This Is Not Oklahoma: OK vs. Okay

In: Grammar
This Is Not Oklahoma: OK vs. Okay. In the Age of the Laze Abbreviation, can we all just agree that it looks stupid?