Jon Gingerich

Overcoming “Voice Anxiety”

In: Voice
Writers stress themselves out over the idea of devising a unique, compelling voice in their writing. Here's why a lot of that anxiety is underserved.
Chris Rosales

Transition As Metaphor

Incorporate these principles to not only transition smoothly from scene to scene, but to add a new layer of metaphor for the manipulation of meaning and theme.
Douglas Coupland

Some Practical Writing Advice From Douglas Coupland

The Bestselling author of "Generation X" and "Girlfriend In A Coma" gives some simple advice picked up during his 25 years as a writer.
Dave Reuss

Look Like A Genius Without Actually Being One: Eight Formatting Tips And Tricks

In: Grammar
Give your baby the best possible chance out there in the world of publishing: here's an inside look at formatting issues that drive editors crazy.
Richard Thomas

Storyville: Promotion

In: Research
In this column, we talk about some of the ways you can promote your writing, for little or no money.
Taylor Houston

Two More Comma Rules You Oughta Know!

In: Grammar
Two more comma rules that every writer should learn.
Chris Rosales

Acting on the Fictional Stage: The Dramatic Method in Fiction

Harness The Dramatic Method For Character Action
Jon Gingerich

Narrative and the Moving Image: What Film Can Teach Us About Fiction Writing

Fiction writers can learn a great deal about craft by examining some of the common storytelling techniques used in modern film.
Jon Gingerich

Writing In Parallel

In: Phrases
One of the biggest mistakes committed by both beginning and experienced writers is a failure to craft sentences that transmit information clearly, evenly, and with an emphasis on what’s important.
Joshua Mohr

An Unreliably Narrated Essay

In the reviews of my first two novels, the issue of the unreliable narrator has been mentioned often. Whether this is meant as criticism, compliment, or some tangle of the two, the following problem remains whenever this point is raised: I don’t believe in the unreliable narrator.
Chris Rosales

Is This Your Card? How Michael Chabon Uses Suspense in Literary Fiction

A study of how Michael Chabon uses Suspense in literary fiction to keep the reader reading and to move the story forward.
Brandon Tietz

Book Readings: Bar vs. Bookstore

Two readings: one book store, one bar. Which was better? Well, it depends on if you prefer alcohol or silence more.
Jon Gingerich

The Escaping Character

In: Character
A unique, compelling character must always possess the ability to confront — and ultimately confuse — readers’ expectations at every turn.
Richard Thomas

Storyville: Writing Horror Stories

What does it take to write a terrifying story? Every tool in your writer's toolbelt.
Meredith Borders

Ten Authors Who Write Great Dialogue

In: Dialogue
A list of some of the best conversation-creating writers out there.
Jon Gingerich

Writing with Authority: A Primer

In: Narrator
A few simple tips to bolster narrative authority in your writing.
Cath Murphy

Keeping it Real: A Rough Guide to Using Real People As Fictional Characters

In: Character
Ebeneezer Scrooge, Tintin and Alice in Wonderland are all said to be based on real people. Is using your boss or neighbor as a ready made character a stroke of genius, or a fast route to a lawsuit?
Cath Murphy

The Third Character: A (Very) Rough Guide to Settings

In: Character
Choosing the right setting for your fiction can be as tricky as giving a turtle a haircut. Here's my Rough Guide to what I think of as the 'third character'.
Jon Gingerich

The Heavy Hand of Didacticism

Why overwriting and needless instruction have a habit of killing a story every time.
Chris Rosales

Figurative Language, and Stuff Like That

Add depth to your writing with a Figurative Language Well.
Jack Ketchum

Splat Goes the Hero: Visceral Horror

In: Theme, Voice
Jack Ketchum on violence, pain, and the importance of not looking away.
Jon Gingerich

The Spiraling Narrative

In: Theme
Plots shouldn't unfold with cause-and-effect insomuch as careful repetitions of symbolism and theme. Here's one way you can do this without forcing the story to wear symbolism on it sleeve.
Max Barry

The First Draft

In: Rewriting
Max Barry shares his love/hate relationship with re-writing, and the importance of getting feedback on your initial drafts.
Taylor Houston

World Book and Copyright Day –The Best Holiday You Never Heard Of

In: Research
Books are the best! So let's celebrate them today--a day marked by literary history!
Taylor Houston

Three Comma Rules You Need to Learn Now! NO MORE EXCUSES!

In: Grammar
There's comes a point in every writer's life when the excuses for not learning how to use commas correctly simply run out. This is that time. Learn these. Right now. Or else.