Columns > Published on May 13th, 2013

Recap: Game of Thrones 3.07 - The Bear and the Maiden Fair

This is going to contain spoilers for this episode, and also for the books. Deal with it.


The Bear and the Maiden Fair was a very sexy episode of Game of Thrones. At least until Theon got castrated. Unless you're into that. Which, if you are, let's not be friends. 

Between Robb's pillow-talk with his wife, Tormund Giantsbane's weirdly aggressive sex talk to Jon Snow, Margaery Tyrell's reassuring sex talk with Sansa Stark, and Orell's (sad) attempt to woo Ygritte, this felt very much like a Red Shoe Diaries edition of Game of Thrones. Then that shit went down with Theon and it ruined sex forever. 

There are three episodes left this season... and it's starting to feel that way. 

King's Landing

So Joffrey is afraid of somebody: Tywin. It's a pretty spectacular exchange, watching Joffrey lounging on his throne in a clear attempt to establish his authority, only to have Twyin stride right up to him and stare him down. First, because it's nice to see Joffrey cower, because he is a jerk and a terrible person. But also because it's another opportunity for Charles Dance to be great. I think he may be my favorite actor on this show; he's not a main character and doesn't get a ton of attention but every scene he's in is fantastic. 

And it's another reminder of just how limited Joffrey's power truly is; it only goes as far as the people willing to enable him.

Meanwhile, things are not looking so great for Tyrion and Sansa. Tyrion is stuck between a rock and a hard place (i.e., a highborn girl and a prostitute). Thankfully Bronn shows up to offer some much-needed perspective.

Sansa is pretty bummed at the thought of marrying Tyrion, though Margaery is there to offer some much-needed perspective, too: Tyrion hasn't mistreated her, he's a nice-looking guy, and their children will be powerful. Granted, Margaery is more interested in power, whereas Sansa wants a fairy tale, so it's not the same thing, but it's better than nothing, and also better than Joffrey. Anything is better than Joffrey. 

The most interesting scene happens outside King's Landing, on the ship carrying Melisandre and Gendry through the graveyard of ships left over from last season's Battle of the Blackwater. Melisandre reveals to Gendry he's Robert Baratheon's bastard son. Which is a pretty big game-changer, since Gendry largely disappears from the books and, as I recall, doesn't discover his lineage. 

So it raises the question of whether Gendry will make some kind of run for the crown, which is his right, I guess? The Lannisters don't seem to care much for who should rightfully wear the crown, though they did make it a point to slaughter all of Robert's bastards. Though, really, with the way Melisandre keeps making sly comments about the power of his blood, he may very well end up as fuel for one of her crazy-ass magic tricks. Still, an interesting development!

Harrenhal

The odd courtship between Brienne and Jaime was my favorite part of the episode. When Brienne called him "Ser Jaime" for the first time, instead of the pejorative "Kingslayer", I don't know what was better: Brienne's newfound respect, or Jaime's subtle "holy shit I want to cry" reaction.

And then they fight a bear!

Well, no, first Jaime realizes that Locke is going to do something nefarious to Brienne and he goes back to Harrenhal to get her. And he finds the assembled jerks at the castle are performing a real-life re-enactment of The Bear and the Maiden Fair.

Jaime, a character who has been fairly selfish and self-serving, and is also missing a hand, jumps into the bear pit. Which is insane. It's a real, genuine moment of growth for the character, on a show that doesn't often show a lot of growth in the characters. (Besides Daenerys becoming a badass and a few of the kids showing leadership potential [Robb, Jon] how many have these characters have really changed?)

Yunkai

Power suits Daenerys. I don't think Emilia Clarke has radiated as much strength and confidence than when she stared down the messenger from Yunkai and told him what was up. Which is: Surrender, and free your slaves. She also had a pretty big choice to make, turning down the offer of a fleet of ships to take her to Westeros, instead opting to stay in Slavery's Bay and break some more shackles. It wasn't played as a huge, world-changing decision, but it does feel like a natural extension of the path she's on. And this makes me believe the end of the season will build toward the battle for Yunkai, which seems like a good note to end the season on for Daenerys and her merry band of creepy old men. 

Riverrun

Robb Stark's wife is pregnant! Good on them. Not much to see here, besides Talisa Maegyr's ass. 

Wait, seriously though, I'm not going to say what is or isn't going to happen with these characters, but on a show like this, doesn't a character announcing a pregnancy portend just a bit of dread? I'm curious to know if the non-book-readers felt like that...

Also, is Arya in Riverrun now? Does that count as Riverrun? Who knows, with these people moving around so much. Still, even though I'm sure she's upset about being captured by The Hound, it will be fun to listen to them mouthing off at each other. 

The North

Oh Theon. Poor, poor Theon. Yes, he's an asshole, but I think we're getting past the point of fair. This was one of two scenes that I disliked in this episode. Theon actually disappears for the whole of the third book and when we meet him again, he's broken and battered from months (years?) of torture. So, essentially, we miss all the grisly bits. Which the showrunners now seem intent on showing us.

And I'm an adult. I can deal with a little blood. But you know when torture gets pornographic? When it gets into castration. I mean, c'mon! Puke.

The other scene I disliked was Osha's monologue about her boyfriend. The scenes with Bran and his merry band of weirdos are getting tiresome. No one wants to forget they're there, but this story is just spinning wheels every single time it appears on screen. Think about it: Even though they're trying to make it to The Wall, they could have done every single one of their scenes from the same exact spot, and it's wouldn't have made a difference, because there's no forward movement. 

Which, in fairness, it spends a great deal of time spinning wheels in the book, but in a visual medium, the tedium really shines. 

Finally, there's Jon and the Wildings. I wrote this whole recap and forgot to mention them. Oh well. They're still trying to get to Castle Black, and there's more development in the Jon/Ygritte relationship, and Jon seemed to show a greater range of emotion besides "darkly brooding," which was nice. While I was far less disappointed with their scenes, I do wish these characters would do something besides walk and sneer at each other. Jon's crew has the forward movement that Bran's crew lacks, but I hope they get to Castle Black soon...

Other stuff:

  • BOOBWATCH: Theon's torturers strip down. It stops being sexy real quick. 
  • ASSWATCH: A lingering shot of Robb Stark's ass—and a very lingering shot of Talisa Maegyr's ass. Did you know Oona Chaplin, who plays Talisa, is Charlie Chaplin's granddaughter? You think of that the next time you're staring at her ass. 
  • Locke is analogous to a character from the books: Vargo Hoat. I wish they had kept the name Vargo Hoat. Locke is a little generic, and anyway, Lost did it better. 
  • This episode had the second greatest bear pit fight scene in the history of recorded film. Here is the first

Discuss! What did you like? Not like? Were you moved by Jaime and Brienne? Bored by Bran?

About the author

Rob Hart is the class director at LitReactor. His latest novel, The Paradox Hotel, will be released on Feb. 22 by Ballantine. He also wrote The Warehouse, which sold in more than 20 languages and was optioned for film by Ron Howard. Other titles include the Ash McKenna crime series, the short story collection Take-Out, and Scott Free with James Patterson. Find more at www.robwhart.com

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