Columns > Published on April 29th, 2013

Recap: Game of Thrones 3.05 - Kissed by Fire

This is going to contain spoilers for this episode, and also for the books. I won't tell you what happens in the fifth book, or what I think is going to happen in the next episode, but I will talk about differences between the book and the show thus far. Deal with it.

Last night's episode, Kissed by Fire, was a workman episode. There wasn't a whole lot of forward movement, but it expertly lined up plotlines and character relationships that will pay off for the rest of the season, and beyond. 

More than that, the show did two things it doesn't often do: It displayed a fair amount of tender moments in a show that is nearly devoid of them, and it took a deep breath without drowning in a sea of too many characters and locations.

Appearing smack dab in the middle of the season, I think that deep breath was necessary. 

It was nice to finally get some time with Jon Snow, who got a few perfunctory scenes in the previous four episodes. While he didn't get a huge shake last night, he did get laid, so good on him. 

Sex is often used on this show as a form of power or manipulation, and this might have been the first instance of two characters going at it without some kind of agenda. Granted, Ygritte may have been making double-sure Snow had renounced his membership in the Night's Watch by getting him to break his vow of celibacy—but it came off as a little more affectionate than that. 

Equally tender was the episode's other bathing scene, between Brienne and Jaime. It seems to start off as a power play. But it also showcases Jaime's first real vulnerable moment, in which he explains that he killed the Mad King to prevent him from burning King's Landing and killing every man, woman and child within city limits. Brienne suddenly has a new perspective on Jaime, that maybe the Kingslayer moniker shouldn't be such a pejorative. 

The slowest—and most surprising—set of scenes revolved around Stannis Baratheon (a character who might have been intolerable if not for Stephen Dillane). Last night he visited with his wife, Selyse Florent, and his greyscale-afflicted daughter, Shireen. Two characters I was fairly confident would be jettisoned in the name of keeping the cast manageable. Honestly, I don't recall them having any great bearing on the books, and it seems they could be cut without affecting the overall arc of the story. 

So I felt a little trepidation when they appeared on screen, wondering if it would be too much. But as the scene went on, it was nice to see Stannis get to do something besides complain, or mack it to Melisandre. And it brought us another heartwarming scene, between Shireen and Ser Davos. How adorable was that, her sneaking down to the dungeons and offering to teach him how to read? Especially on a show that can be so violently depressing? 

Of course, not all is well and good in Westeros. Sandor Clegane is forced into a trial by combat, against Lord Beric Dondarrion and his flaming sword. Clegane wins, Arya is pissed that he gets to walk away, and Dondarrion appears to be some form of zombie. 

Meanwhile, the cracks are showing in the veneer of Robb's rule, as he's forced to contend with dissent in the ranks. The Karstark's murder the two Lannister boys being held captive, so Robb has them executed. It was a tough decision, though it didn't feel like the wrong one, even though it resulted in the Karstarks abandoning him. 

Daenerys pulled the short straw in this episode. After completely, positively owning the last episode by overthrowing the slave city of Astapor, she gets a brief scene with the Unsullied (and hey, there's Grey Worm!).

But the highlight was the loaded conversation between Ser Barristan Selmy and Ser Jorah Mormont. On the surface is was two old men arguing over who got to be BFF with Daenerys (and therefore was a little creepy), but on a deeper level, they were feeling out each others' loyalties—and trying to figure out what they know about each other. 

And finally, Tyrion and Cersei finally find themselves on some common ground. Tywin, who is so cold and calculating and efficient you almost have to respect it, is planning to marry Sansa to Tyrion to secure Winterfell. Cersei is thrilled to watch Tyrion squirm, until she learns she'll have to marry Ser Loras so the Lannisters can stake claim to Highgarden Castle, the seat of House Tyrell.

Earlier in the season, I expressed concern that the show was starting to buckle under the weight of the the humongous cast and far-flung locations. The showrunners served me a big heapin' plate of crow last night, with an episode that managed to pack in a lot of character development and even slow things down a little, without sacrificing the story. Color me impressed. 

Other stuff:

  • How much better would our court system be if you could select trial by combat? "Yes your honor, I'm suing my landlord for not making repairs on my apartment. But instead of bringing a lawyer, I have a mace..."
  • Regarding that creepy-ass song playing over the credits: I'm pretty sure it was the actress who plays Shireen Baratheon. The song is from the book, though it's sung by Patchface, the fool of Dragonstone. It's appears to be nonsensical ramblings, but as the book carries on, proves to be oddly prophetic. 
  • BOOBWATCH: Ygritte finally disrobes. As far as secondary female characters go, the length of time she went before getting naked has to be some kind of record.  
  • WANGWATCH: A little something for the ladies last night: Jaime's balls, and I'm pretty sure Loras' hookup flashed some meat to the camera.
  • ASSWATCH: The camera gave a full, lingering view of Brienne's ass. I wonder why they didn't go full frontal on her, as there was clearly ample opportunity. Either the actress, Gwendoline Christie, didn't want to go full nude on screen... or the showrunners were trying to maintain the character's masculine aura. Thoughts? 
  • Is anyone else getting a David Hasselhoff vibe off Robb Stark? Dude is always wearing a tunic with a plunging neckline that shows off his chest hair. 
  • It is a nightmare, spell-checking these recaps. 

Discuss! What did you think about the tender moments? Did they root you into the characters, or distract from the arc of the season? What did you think of all the nudity? 

About the author

Rob Hart is the class director at LitReactor. His latest novel, The Paradox Hotel, will be released on Feb. 22 by Ballantine. He also wrote The Warehouse, which sold in more than 20 languages and was optioned for film by Ron Howard. Other titles include the Ash McKenna crime series, the short story collection Take-Out, and Scott Free with James Patterson. Find more at

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