Columns

LURID: Dead Sexy Valentine - Necrophilia In Fiction

February 14th, 2013

LURID: vivid in shocking detail; sensational, horrible in savagery or violence, or, a guide to the merits of the kind of Bad Books you never want your co-workers to know you're reading. Necrophilia. From the Greek, of course: ‘Necros’, meaning ‘dead’, and ‘philia’ – the verb ‘to fill’. —The Doug Anthony Allstars, Dead & Alive

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Neglected Authors: Seth Morgan

February 13th, 2013

“A book is a protean thing, mercurial, capricious. Its pure and piercing grace notes are struck only in the quickening of its own creation.” –Seth Morgan “This book is pure filth” –Anonymous, written in the copy of Homeboy at the San Francisco Public Library

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Paperless Writer: Five Steps To A Successful Digital Rewrite

February 13th, 2013

With the advent of laptop computers, I think it's safe to say most writers have moved away from the traditional typewriter. I'm sure there's a band of rebels out there who still prefer the feel and smell of inked typesets, the smart little ding the machine makes at the end of margins, the clicking and clacking of the keys. LitReactor's own Kimberly Turner even pitted typewriters against computers in a recent column.

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Storyville: Breaking Hearts

February 12th, 2013

Chuck Palahniuk once said about fiction, “Teach me something, make me laugh, and then break my heart.” It’s good advice. While I don’t always make my readers laugh, you could probably insert “scare me to death” and get a similar result. How do you get your audience to have a visceral reaction to your stories, how do you get them to feel the power of the thoughts, emotions and histories of your characters on the page? It’s not easy, but here are a few tips, some ways to engage your readers.

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Why The F*ck Aren't You Reading Dan Chaon?

February 11th, 2013

Why The F*ck Aren't You Reading? is a new feature where the columnist spotlights a writer who has a dedicated following and is well known within the writing community, but hasn't achieved the elephant-in-the-room style success of a Stephen King or Gillian Flynn—But they deserve to, dammit! Hopefully the column will help gain the author featured a few more well deserved readers.

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Disconnect: How Logging Off Helps Us Write On

February 8th, 2013

You hop on your computer to write. Three hours later, you've written a whole lot—in Facebook posts, Twitter updates, forum posts, instant messages, and emails—but your story has moved along like a legless turtle. Sound familiar? We could just disconnect from the web, but somehow having an active connection feels like a requirement for doing anything on a computer. Why do we rely on the internet so fully? How has this led us to “digital dependency”? And how can we get ourselves to log off so we can more effectively write on?

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Call It What It Is: The Hatred Directed At Lena Dunham Is Petty, Childish Bullshit

February 8th, 2013

Lena Dunham. Ah, Lena Dunham. Filmmaker, actress, writer. Subject of so much derision you'd think she spent her days throwing cats into airplane engines. When a new episode of Girls premieres, or we learn that Random House agrees to shell out $3.5 million for her first book, the internet goes apeshit. We're met with vociferous cries of:

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This is Not a Checklist: How to Write a Story

February 7th, 2013

Some things to have taken into consideration while writing your story. Not rules, just after-the-fact guidelines.

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10 Reasons Why Dredd Is The Best Comic Book Movie Of 2012 You Didn't See

February 7th, 2013

It was tough to be a comic book movie in 2012 if your name wasn't Batman or The Avengers. Even poor Spider-Man didn't fare well in comparison. Because while The Avengers worldwide box office was over 1.5 billion, and Batman: The Dark Knight Rises was just over 1 billion, and even Spidey cracked an impressive 756 million, poor Dredd with its R-rating made a paltry 37 million (almost). But were The Avengers, The Dark Knight Rises, and The Amazing Spider-Man really that much better than Dredd?

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Blogging: An Extension of Craft

February 6th, 2013

Despite the occasional rumbling of blog fatigue on the internet, blogs remain a potentially effective way for aspiring writers to develop and share their voice and work. At best, a successful blogger holds their audience loyally captive with entertaining, inspiring or informative posts. The blog serves as a helpful tool to help showcase their unique perspective as well as highlight (note, not obnoxiously self-promote) other work they’ve placed in lit journals and online medias.

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