Columns > Published on February 10th, 2016

Is the Supernatural My Security Blanket?

Six years. 

Six years, and eight books, and countless short stories.

Six years, and in all that time: everything I've written has had a touch (at the bare minimum) of supernatural or speculative elements. 

Every. Single. Story.

When I began writing, six years ago, I envisioned myself (of course) writing the next great American novel. I envisioned myself as a Jewish Toni Morrison, perhaps, or at least a new Harper Lee. A woman writer, or rather a Woman Writer. Literary and great. 

Then I dove into my first story. I started with a young female narrator, going through young, female experiences.

I floundered within three days. I got bored. Irritated. Why would anyone care about this young female narrator, going through young, female experiences? I didn't even care (much) about her!

I write what I love, and what I love (truly and deeply) are the ghosties and goblins. The dark stuff.

On a whim (or perhaps a sugar high), I added some zombies. Some blood. Lots of guts and gore. And pretty soon I had myself a novel.

And a fledgling career.

Who knew? All I needed was a dose of the supernatural, and I was off to the races.

From there, the stories flowed. Everything I wrote had something unearthly about it. Undead creatures. Demons. Aliens. Monsters. Ghosts. When I joined the WAR II short story contest here at LitReactor, I realized quickly that many of the most powerful stories were set in reality, without any of the supernatural elements I loved...but still, I couldn't let go of my goblins or my robots.

For a while, I failed to embrace it. I couldn't.  "What do you do," people would ask me, and when I'd answer, "I'm a writer," the inevitable question would always follow: "What do you write?"

And (I'm ashamed to admit this now) I'd blush, and look away. "I write horror," I'd say, flushing deeper. "And sci-fi. You know...genre fiction."

Those last words I'd say in a whisper, as though it was something dirty. Something secret. As if I were writing the smuttiest of smut, the stuff of Donald Trump's wet dreams. 

As though writing genre fiction was something to be ashamed of.

And maybe I was a little ashamed, at least at first. I mean, you don't often see Pulitzers going to sci-fi novelists. The Nobel Prize for Literature hasn't yet been given to a pulp writer.

But I couldn't stop. My dirty little genre secret wouldn't let go. Even amid the (mild) sense of shame, I knew: I loved my stories, ghosties and all.

For a while, though, I wondered: is it possible for me to write without those genre elements? Can I write without the monsters and the beasts and the goblins? Or am I stuck, destined to dabble in guts and gore, without ever touching on the truest elements of life?

Or is it that the supernatural, fantastical elements allow me to find those truest elements? 

I wonder...

About five years ago, I began writing a book set during the Holocaust. It was a story I began (unknowingly) researching when I was ten years old, and it was based on a single image: a lovely young woman in a wedding gown, with red hair fiery against the backdrop of a snowy Ukrainian night. Hitler's secret storm troopers, lining this woman up with the other inhabitants of her Jewish village, preparing to slaughter them all. A man — a Nazi — rides up astride a massive horse, and sees the woman. "Stop," he shouts. "You cannot kill her! This is not a Jew!"

"This is not a Jew." That was the place I started. I wanted to tell this woman's story of being saved by a Nazi because she was too beautiful to kill, of his denial of her heritage, and of her ultimate survival of the Holocaust.

I must have started this book a dozen times, writing different versions of the above scene. I'd start, and I'd fail, and I'd start and fail again. 

Then one morning, I woke up imagining an old gypsy woman. I imagined a way for her to leave one body and claim another. I imagined her surviving the Holocaust by taking over the youngest, strongest bodies, and then an entire book was born. It's finished now, and gradually I'm submitting it to the publishing world to see if it's good enough. I hope it is; I told my story, and I love my story, and I hope it's good enough to share.

But I could only write my story, you see, once I added that bit of supernatural. I couldn't tell it without making it unbelievable. the supernatural, the speculative, my security blanket? My crutch? Can I write without it?

The answer, as it stands now, is: I don't actually know. I no longer know if I want to. I love being a speculative writer. I love the possibilities. In the above example, I initially floundered because, in this case, the believable was truly unbelievable. This was something that could have — and did — happen. The horrors of the Nazi death camps are so real, so terrifying, I struggled with writing them. By distancing myself slightly, adding a bit of magic, I could finally put into words my thoughts, my fears. I could not have written this story without it.

I think, now that I'm thinking about it: I write what I love, and what I love (truly and deeply) are the ghosties and goblins. The dark stuff. The creeptastic and the fantastic and the surreal. I recently wrote my first middle grade novel. My daughter's been asking me for a story she could read, and I finally wrote it for her. And this book? This was a wild romp through the New York City subway system, with children encountering monster after monster, fighting for their lives as they stand by each other. The Goonies, perhaps, meets C.H.U.D. Two movies that shaped my childhood are now shaping my daughter's, too. Kind of circular and cool.

Writing it was perhaps my most joyous writing experience to date. I loved every minute of it, and so far, my daughter seems to love it too.

Today I start work on the sequel to my first young adult novel. The first was a retelling of a classic Frankenstein-monster tale; now I'll dabble in AI and even (gasp) the singularity. It feels almost too smart for me, but I will learn as I go, and I'm so excited, I can't wait to get started. 

So maybe that's it...maybe I do write the stories I love, and those stories have, so far, included weird speculative elements. I was raised on Star Wars and Freddy Kruger. Those have always been worlds that helped shape me. So maybe it's not a crutch, per se.'s just me?

What do you think? Do you have a writerly security blanket, or are you simply I'd love to hear your thoughts!

About the author

Leah Rhyne is a Jersey girl who's lived in the South so long she's lost her accent...but never her attitude. After spending most of her childhood watching movies like Star Wars, Aliens, and A Nightmare On Elm Street, and reading books like Stephen King's The Shining or It, Leah now writes horror and science-fiction. She lives with her husband, daughter, and a small menagerie of pets.

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