Columns > Published on August 21st, 2012

Comics Crossover: Science Fiction Gets Inked Up

Comic adaptations of science fiction novels are frustratingly rare. This is odd, because It would seem like the worlds of literary Science Fiction and comic books have a lot in common. After all, both are relatively geeky pursuits that often involve speculation about the future, high-concept plots, and - hopefully - robots. Additionally, readers of comics and sci-fi are both very used to defending their favorite titles against every disparaging label from the euphemistically loaded  "genre," to the outright hostile "low culture."

And yet, despite these many similarities, comics and sci-fi remain two (mostly) distinct art forms. While mutual respect certainly exists between the two sides, there is surprisingly little overlap between them. Perhaps science-fiction authors are not looking to have their work portrayed in comic form, worried that this sort of interpretation will cause their work to be seen as somehow less than "serious." Or maybe comic writers and artists are less interested in the constraints of literary narrative, which could restrict their medium's visual components.

Regardless of the reason, this nonsense needs to stop! As a lover of science fiction and comics, I demand more titles like the ones listed below. It's no coincidence that while film adaptations of classic sci-fi titles have a decidedly spotty track record, comic takes on many of the same books almost-universally kick ass.  So check out these amazing adaptations and be converted too.

CLASSICS ILLUSTRATED

My love for the combination of Science Fiction and comic books has a definitive source: the stack of Classics Illustrated that sat on the bottom my parents' bookshelf. From my earliest days as a reader, i would pour through these comics again and again. Yes, the art is sometimes predictable, but the writers did great work condensing novel-length plots into comic book form.

Many of the best titles were from the Science-Fiction canon, including H.G. Wells' The Time Machine and The War Of The Worlds, and Jules Verne's Journey To The Center Of The Earth and Twenty Thousand Leagues Under The Sea. Additionally, there was other great proto sci-fi material like Mark Twain's A Connecticut Yankee In King Arthur's Court, Mary Shelly's Frankenstein, and Jonathan Swift's Gulliver's Travels. All of the Classics Illustrated books have been reprinted numerous times, so all you geek parents need to start indoctrinating your kids now.

[amazon 1894998804 inline]

 

WEIRD SCIENCE

While not as big a part of my formative years, this title from Bill Gaines rightly revered EC Comics still stands as a highpoint of sci-fi/comic crossover some 60 years later. A bi-monthly anthology that ran for just 22 issues, Weird Science nevertheless established itself as the place for engaging and thrilling science fiction in the comics world. The books featured EC's signature mix of disturbing, outlandish visuals and smart writing that often carried surprisingly poignant morals.

While much of the material for Weird Science was written by Gaines himself, the series also adapted numerous short stories by notable authors. The most infamous of these being Ray Bradbury, who first accused EC of plagiarism before coming to an agreement that led to six of his stories appearing in the comic. Also included was work by Roald Dahl, Theodore Sturgeon, Anthony Boucher, and many others.

[amazon 1888472588 inline]

 

THE STAND/THE DARK TOWER

Another point where Science Fiction and comics meet is the ease with which they deploy a grand sense of scale. These two series are perfect examples, as both span numerous collections released over several years. I've seen the mini-series of The Stand and read the comics too - there's no question that in terms of creating the tone of the book and staying true to the plot that the comics win every time. And that's even with author Stephen King writing the teleplay for the series - it was just too big a story for the time and budget he was allotted.

The Dark Tower series has developed in the other direction, with a successful comic run preceding planned film/TV adaptations. Hopefully developments in CG graphics and the sheer scope of the budgets involved will lead to a more successful translation. But the comics tackle almost all of the vast and complex plot (8 books and counting!) without scrimping on visual style.

[amazon B005M48ZII inline]

 

DO ANDROIDS DREAM OF ELECTRIC SHEEP?

On the other hand, comics are just as good at creating smaller, personal stories like this take on Philip K. Dick's classic title. Certainly this is one of the few sci-fi books discussed here that actually boasts a good film adaptation, but that shouldn't take away from the great job done by the Boom Studios team on this title. Comics are much better at dealing with their character's internal discussions, whereas most films that depend on voice over narration don't have the same success as Blade Runner.

Along with artist Tony Parker's amazing visuals, the series features every word of Dick's original novella, pushing it into the rarefied air of literal adaptation. And again, this is something that other visual media like TV or film would have a ton of problems attempting, let alone actually pulling off. It's a great book that succeeds at honoring its source material while presenting a new and interesting take on the same. A must for Dick fans.

[amazon 1608865002 inline]

 

BATTLE ROYALE

Given their growing place in the market, no conversation of modern comics would be complete without the inclusion of a manga title. When I first read Koushun Takami's 1999 novel, and then saw the mostly successful 2000 film adaptation, I remember thinking that the wild plot - involving a group of schoolchildren forced to fight to the death - was the sort of thing that could never work in America. Obviously Ms. Collins and her girl Katniss have proven me totally wrong.

Even so, Takami stands alone on this list as the only author who took the lead in adapting his or her work for comics. The result is a great title that both compliments and changes the original text in ways that someone else might not have felt comfortable doing. Certainly, Takami pays homage to the medium by amping up the violence and sex in his plot, but he also finds new and exciting ways to tell his story visually.

[amazon 1427807531 inline]


I know great comic adaptations of Science Fiction are few and far between, but what are your favorites? Let me know in the comments.

About the author

Originally from Concord, Massachusetts, Jon Korn spent a decade in Los Angeles trying to get warm. He now lives in Oakland, where he works as a writer and film festival programmer. Over the past 10 years, Jon has watched tens of thousands of movies for the Sundance Film Festival, AFI FEST, Outfest, and CineVegas, among others. Not all of them were good, but it is still a wonderful job. Jon is the co-creator of the Echo Park Time Travel Mart and a Jeopardy! champion. His hobbies include cooking, being sad about baseball, and not answering the phone.

Similar Columns

Explore other columns from across the blog.

Book Brawl: Geek Love vs. Water for Elephants

In Book Brawl, two books that are somehow related will get in the ring and fight it out for the coveted honor of being declared literary champion. Two books enter. One book leaves. This month,...

The 10 Best Sci-Fi Books That Should Be Box Office Blockbusters

It seems as if Hollywood is entirely bereft of fresh material. Next year, three different live-action Snow White films will be released in the States. Disney is still terrorizing audiences with t...

Books Without Borders: Life after Liquidation

Though many true book enthusiasts, particularly in the Northwest where locally owned retailers are more common than paperback novels with Fabio on the cover, would never have set foot in a mega-c...

From Silk Purses to Sows’ Ears

Photo via Freeimages.com Moviegoers whose taste in cinema consists entirely of keeping up with the Joneses, or if they’re confident in their ignorance, being the Joneses - the middlebrow, the ...

Cliche, the Literary Default

Original Photo by Gerhard Lipold As writers, we’re constantly told to avoid the cliché. MFA programs in particular indoctrinate an almost Pavlovian shock response against it; workshops in...

A Recap Of... The Wicked Universe

Out of Oz marks Gregory Maguire’s fourth and final book in the series beginning with his brilliant, beloved Wicked. Maguire’s Wicked universe is richly complex, politically contentious, and fille...

Learning | Free Lesson — LitReactor | 2024-05

Try Reedsy's novel writing masterclass — 100% free

Sign up for a free video lesson and learn how to make readers care about your main character.