Columns > Published on June 11th, 2012

Ask The Lit Coach: The Difference Between Brand and Platform and Why Every Author Needs Both

PLATFORM: All the ways in which you are visible to and communicate with your target audience. 

AUTHOR BRAND: An author's perceived image and identity.  

Rather than the typical Q&A we normally do on 'Ask the Lit Coach,' we're going to focus on THE two things, aside from actual talent, that will make you, the author, appealing to agents, editors, publishers, and most importantly, your readers - Platform and Brand. Whether you're considering the traditional route or indie route, you absolutely must have an author platform and an author brand to differentiate yourself from the masses staking their claim on the quickly crowding publishing landscape. 

Okay, so those of you who read the writer's magazines, who've read past issues of this column, who follow agents and editors on twitter must know by now that having some kind of author platform is important to your success in not only landing an agent, but earning a publishing contract and luring readers. Even if you plan to go indie, you have to have a buying audience. Basically, your platform is all the ways in which you're visible to your audience - all the channels in which you communicate with them. Let's break it down.



If you're a novelist, people in publishing (PIP) want visibility. Who knows you and your work? Where can they find your work? Does your work regularly appear in a publication, online or in print? Blog? How about literary communities? Are you an active member in any national writing community? Do you enjoy any influence across the social medial channels? Who are some influential people in the community that follow you? Now, what's your reach? What are the numbers behind all those media venues - what's the circulation of the magazine you've published in or have a regular column with? How many hits a month does your blog get? How many people subscribe to your blog? How many Twitter followers, Facebook friends, etc. Publishers LOVE good looking numbers. Substantial numbers = audience = book buyers. 


Next, PIP would love to know your credentials. Do you have an MFA? From where? Who were some of your instructors? Did they comment on your work favorably? If you don't have an MFA, it's not a deal breaker - not in the least! It's an added bonus - especially if you happened to earn your MFA from one of the top 50 MFA programs in the country. 


This seems like an obvious point, but all the visibility in the world isn't going to do you much good if you're not reaching your target audience. For example, if you're writing Transgressive fiction, this is THE place you need to be. This is the community you need to be a part of. You need to be active in the writing contests, workshops, etc. If you're writing Romance, head over to RWA and do the same - immerse yourself in the community. Kid Lit, head straight to SCBWI. Mystery and thrillers? Try Mystery Writers of America or International Thriller Writers. Not only will you learn the essentials of your craft within the right genre organization for you, you'll learn a tremendous amount about your readers, what they're reading and how to reach them. 

Before you feel too overwhelmed, agents, editors and publishers are the first to recognize great fiction often comes from unknown writers. You don't HAVE to be this literary rock star to send a query to an agent. With fiction authors, the FIRST thing they want is really great writing. But I would urge you to at the very least seek and secure publication in other journals, mags, websites, blogs, etc. before you submit to PIP. It's good experience and you'll need to continue to publish work like this once you've signed your book contract anyway.


Some of you cringe at the word BRAND while others don't think much about it - it is simply who you are. And that's exactly the right attitude to have about this piece of publishing marketing.

Your brand as a fiction writer should be nothing more than a natural, organic extension of who you are because THAT is the only way you should be writing - authentically.

Usually, it's nonfiction authors who approach publishing with a brand image they (and the marketing teams they hired) worked hard to create. Dr. Oz, Seth Godin, Malcolm Gladwell, Suze Orman - if you know the names you probably had an instant reaction when you read them. You know how you feel about them. Branding expert Marty Neumeier defines brand as, "...a person's gut feeling about a product, service, or company." I would say the feeling is a reaction to the brand not the brand itself, but you get the point. So, what kind of emotional response do you want your readers to associate with your work? 

Let's look at some fiction authors. What's your emotional response to their work? How would you sum them up, even after just reading the first page?

  • Chuck Palahniuk
  • Walter Mosley
  • Sherman Alexie
  • Joyce Carol Oates
  • James Patterson
  • Nora Roberts
  • Dan Brown

As a reader, you know whether or not you're into the story and the way the author chose to tell it. And so, readers will have the same reaction to your work. What feeling do you want them to associate with your name?

You don't have to attend branding seminars to figure this out. Please, save your money. Your brand as a fiction writer should be nothing more than a natural, organic extension of who you are because THAT is the only way you should be writing - authentically. Don't try to be Palahniuk, Welsh, Clevenger or whoever is your favorite author. That corner's taken. Write like you. Leave your readers with an experience authentic to you. That's all.

How will platform and brand make a difference for you?

There is more being published today than ever before. Despite its recent challenges, publishing is big business and it appears everyone has a book to sell. So how will you stand out on that vast prairie of traditional and indie published authors? By being VISIBLE, INVOLVED, and most importantly, AUTHENTIC. 

I know this process isn't easy. It takes time. Well, quality always takes time, don't you think? 

That wraps things up this week, LitReactors. As always, thanks for your reads, shares and comments.

You've got work to do. 

About the author

ERIN REEL is a Los Angeles based publishing and editorial consultant, writing coach, columnist, blog host of The Lit Coach's Guide to The Writer's Life and outspoken advocate for writers. A former literary agent with nearly 10 years in the industry, Erin has worked with a wide array of writers worldwide. She has contributed to Making The Perfect Pitch: How to Catch a Literary Agent's Eye (Sands, Watson-Guptil, 2004); and Author 101: Bestselling Secrets from Top Agents (Frishman & Spizman, Adams Media, 2005).

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