A list of the different modes of point of view, with a breakdown of the advantages and disadvantages of each.
Stories start from a default position of cliché: readers go into stories with expectations, and if too many are fulfilled the spell is broken. So, how do writers engage when the odds are against them?
This Is Not Oklahoma: OK vs. Okay. In the Age of the Laze Abbreviation, can we all just agree that it looks stupid?