LitReactor Staff Picks: The Best Books of 2020 - Part I

LitReactor Staff Picks: The Best Books of 2020 - Part I

Another year has come and gone. You know what that means, don't you? Time for a bunch of strangers to tell you what was good! And why should you care what the LitReactor staff thinks are the best books of the year? Trick question! You shouldn't. But what they have to say might interest you nonetheless, because they are good-looking and knowledgeable and they read like the wind. So for those who care, we submit for your approval/derision some of LitReactor's favorite reads of 2020 (part 1).

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Manuel Marerro On Expat Press and Pushing the Indie Envelope

Manuel Marerro On Expat Press and Pushing the Indie Envelope

Photo courtesy of Manuel Marerro

Manuel Marerro considers ExPat Press less of a publishing house and more of “a playground, a stateless ghetto” that's proven a magnet for outsiders, weirdos, and lifers who often take over his asylum. “We want to attract people cryptically, if that makes sense, because that’s how you get the most intellectually and otherwise diverse people, even if they don’t get along.

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"little threats" by Emily Schultz

"little threats" by Emily Schultz

Photo: © Sara Maria Salamone, courtesy of publisher

I'm here to talk about the utterly gripping and quite entertaining psychological thriller little threats by Emily Schultz. It’s by far my favorite read of the pandemic, a time period where I’ve found it hard to read much at all. 

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10 Books on Writing and Creativity Every Author Should Ask for this Holiday Season

10 Books on Writing and Creativity Every Author Should Ask for this Holiday Season


Authors tend to run hot and cold on writing classes and writing books. Some people swear by them. Other writers are either dubious or bordering on hostile toward them. I’m not positive, but I believe these opinions are tied in part to other writing debates about what makes someone a “real” writer, what paths to publishing are most honorable, whether you should call yourself a writer or an author, or if it’s realistic to become a full-time writer/author.

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Storyville: How Long Should Your Story Be?

Storyville: How Long Should Your Story Be?

One question I get from most of my student is, “How long should my story be?” Or, “How do you know when to stop, when your story is done?” And those are great questions. Let’s take a look at some different variables that can help you to figure out how long your story should be, and if there is enough meat on the bone to go longer.

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How to Protect Your Writing Time From Distraction

How to Protect Your Writing Time From Distraction

Original image via C Technical

I’ve got a running list of dates in my mind to remind myself of the person I was before said date hits. The Confident and Carefree Lisa of October 2016, the Excited For Three Weeks of Quarantine Lisa of March 2020, and the Wary and Ready to Throw Down Lisa of November, 2020—it seems like each new week brings a fresh hell of surprise and “it’s just unprecedented” and outrage and distraction.

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A Short Tour of Gimmick Covers

A Short Tour of Gimmick Covers

Back in the day, the closest thing to a bookstore in my town was the rack of paperbacks in the grocery store. V.C. Andrews, Stephen King, and one book that I always giggled at because the title was Bitch Factor. Oh, Bitch Factor. I’ve never forgotten you.

One of the greater pleasures of grocery store paperbacks was the gimmick covers. A little die-cut window, some texture, really anything that made the book stand out from the other similar titles. And from Bitch Factor.

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7 Reasons You Should Actually Read Moby-Dick

7 Reasons You Should Actually Read Moby-Dick

Photo by M Dreibelbis

Ah, the great white whale. We all think we know him, but chances are pretty good that you don’t know Dick.

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I May Fail NaNoWriMo This Year, but It Didn't Fail Me

I May Fail NaNoWriMo This Year, but It Didn't Fail Me

At the beginning of November, I began a Twitter thread which was meant to chronicle my experience with #NaNoWriMo2020.

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Is Patreon Still A Viable Platform and Income Source for Authors?

Is Patreon Still A Viable Platform and Income Source for Authors?


Patreon.com is a platform for creators of all types to share work with a dedicated audience in a subscription format. Supporters of particular creators on Patreon are called patrons. Rewards for support can be physical things that are mailed or digital work that is unlocked. Support can begin at as little as a dollar a month and moves up through tiers for higher-level supporters and content. Patreon includes pages from visual artists, filmmakers, musicians, podcasters, streamers, adult star “only fans” personalities, authors, and more.

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