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Images via Andrea Piacquadio & Korhan Erdol

I have had some unexpected conversations with my fiction students over the last semester or two. It turns out that they are far more nervous about writing short stories than about writing novels. I would almost say there is a fear of the short story form amongst some of the students, and this ranges from freshman in an introductory creative writing course right up through graduate students.

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Here's the most concerning insight I've had as a college instructor: Beyond simply lacking experience with critical analysis, most college freshmen struggle to move beyond established modes of "high school thinking." Their education, it seems, has entrenched them in patterns of disengagement and factual regurgitation.

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Thieves’ World was a shared-world, sword-and-sorcery anthology series that debuted in 1979. The stories from different authors took place in the gritty city of Sanctuary out on the coastal edge of a thriving empire. Twelve anthologies came out between ’79 and ’89, one a year every year except ’86, which saw two releases. About ten authors at a time per book played in this universe, including some recognized talent, who joined in to create stories and characters. Over the course of a decade's worth of stories, regimes rose and fell.

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I was talking to the students in one of my classes the other day and the topic of submissions came up. We had a long chat about stories, the process, and the dread. That prompted me to ask them WHY they didn’t send out their stories. What was stopping them? What stood in their way? Here are their answers and my responses, which will hopefully encourage them, and YOU, dear reader, to send out your work. How are you going to be discovered if nobody reads your amazing new story? Here is my advice. Hope it helps.

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In Burroughs and Scotland, Chris Kelso explores the relationship between William S. Burroughs (author of Naked Lunch, Junkie, and The Soft Machine) and a country very much attuned to the Beat author’s provocative, transgressive sci-fi style of literature. Kelso investigates why Burroughs was drawn to Scotland, why Scotland was drawn to Burroughs, and what exactly the author got up to during his various visits to Edinburgh.