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It was sort of like the Machete trailer they showed in Grindhouse. I had the genre, the title, and a vague idea of what it would be about, but ultimately, Good Sex, Great Prayers was just something I used to fake people out regarding the ‘what are you working on now?’ question (see also: the dubstep novel, which is exactly what it sounds like). It was a joke, more than anything.

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My novel, The Twenty-Year Death, is the story of a “great American novelist” named Shem Rosenkrantz as he goes from literary darling and popular success to used-up hack who can’t get work. His story, which unfolds over twenty years, is told through three complete novels, each in the style of a different mystery master: Georges Simenon, Raymond Chandler, and Jim Thompson.

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This week’s questions deal with the more emotional side of being a writer. Not only is this a technically hard industry to break in to (so many rules and regulations, so many faux pas), but it’s also a very emotionally hard, intimidating, and taxing industry to work in. It doesn’t always have to be that way. Listen carefully to this week’s answers.

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LitReactor asked me for some advice for younger writers. In the end, I don't know how much advice you can really give a writer. They're either going to follow it or they're not. So rather than get mystical, I thought what might be helpful is a simple, practical list that I wish someone had given me 25 years ago. So here goes…