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kmerke's picture

Patches

By kmerke in Teleport Us

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Description

After the collapse of the world we know today, the hunger for survival and order is all that remains amongst those left. A booming drug revolution completely alters society leaving many left over and wasted. Isolated and neglected, these individuals fight for their survival and dream of something more meaningful than living just another day.

Comments

Jonathan Riley's picture
Jonathan Riley from Memphis, Tennessee is reading Flashover by Gordon Highland February 1, 2013 - 10:48pm

I like this story. The world building is good. You have good themes and a nice narative.

I really like this line.

I fear those who lurk in the shadows and I know they exist because on any given day, I’m one of them.

The overall concept was fantastic and I feel you could had played it up a bit more. Your M.C. was doomed from the beginning. Atleast dying with hope was better than waiting to day, but give us more hope and more fear.

Your story didn't jolt me until about halfway through the third page. That's okay. It grabbed me enough to carry me that far and once it picked I maybe waivered a bit in the middle but you really did have me all the way untill the end.
 

And I'm still on the fence about the ending. I saw it coming and hoped it wouldn't, but I believe it was good. You could rework the last lines. They left me a bit unsatisfied. Why "just survive" I'm not ready to believe the M.C. would admit defeat so easily after all they've gone through. I

I don't dislike the ending, and I do accept it as is, but think it could be a bit smoother.

I'd suggest being particular with your modifiers and your explinations. I found myself reading a line I really liked and then having it followed by one that wasn't as good that pretty much repeated or explained the line before it.

Overall, I'd say this story is a success. You have my thumbs up. If you want specefic examples p.m. me. I would had made line edits and highlights of places it could improve a bit but the way the file uploaded wouldn't allow me too. If you want people to do lbl/s you may consider downloading it as a .doc

Thanks for submitting.

-Jonathan-

 

kmerke's picture
kmerke from Ottawa, Ontario is reading The Red Tree February 2, 2013 - 12:17pm

Thanks so muchn for your comment, I really appriciate the time you took write this comment. 

I had written two endings, and being the fickle person I am, I couldn't make up my mind. A few close friends prefered this one and after reading them over and over I decided to go with it. I can definitely see where you're coming from though with smoothening things out. 

I'll look into using .doc, I had no idea what file type would best so that was a nice tip!

-Kristen

Matt Hebert's picture
Matt Hebert from Vermont, originally, now in Dublin February 2, 2013 - 6:37am

You have a skill with images, and capture the dark, wet, rusting world really well.  I believed the principal's pain [I don't know why, but I felt like it was a "she"], and got invested in her story. Even Pal had a personality, though less distinct.

I thought you worked in a lot of backstory without distracting too much from the present, and there was a lot to get through.  The pace was a bit halting at times, and as already mentioned, you might be able to tighten up the language, making it really powerful.

I did have to go back over the last page or so a couple of times; I didn't really feel the ending was as effective as the buildup.  I really didn't think we ever saw that her life was anything but survival. I guess I took the paragraph about her hope for the surface as a passing thought, and perhaps couldn't support the weight of the ending.  That's in part due to how well you establish the crisis she's in, though, so well done for that.

Nice work, though, and looking forward to more. :)

Grant Williams's picture
Grant Williams from Wichita, KS is reading Friday February 2, 2013 - 12:01pm

You paint an excellent picture of the surroundings without going too deep.  I like the desperate feel throughout and how the Pal, while helpful, gives off a cold creepy feeling.  Well done. 

ArlaneEnalra's picture
ArlaneEnalra from Texas is reading Right now I'm editing . . .. February 2, 2013 - 9:00pm

There were a few editing issues with this one that tripped me up while reading it. Nothing that a good copy edit wouldn't fix. I had a little trouble keeping track of what PP stood. I'm still not quite sure I have it right.

You did do a good job setting up your world. I could easily visualize most of what you were describing and almost smell the metal in the air.

The idea that the enhancement rat's don't need to eat did bug me though. I can see them needing the drug but not needing any other food moves way into the realm of super natural or they would require a lot more then was implied.

The ending point didn't quite seem right either. I think it would have made more sense for him to actually reach the house or not be able to get past the guards. Ending in the middle leaves it hanging too much for me.

Still, good job and keep at it.

Ben_Sharp's picture
Ben_Sharp from London February 6, 2013 - 2:12pm

Nice, i really like the world you built here. I agree with those above that another editing pass could tighten it up a bit, but overall it's a cool story. 

The ending does kinda leave you hanging though, i would have liked a little more closure.

Did he make it? Was there patches? Did they all go out for cake? :)

 

B

 

kmerke's picture
kmerke from Ottawa, Ontario is reading The Red Tree March 3, 2013 - 3:25pm

Truly enjoy the idea of everyone going out for cake!

But I understand, I like closure myself too and it definitely doesn't really give you that.

Appriciate the comment though :)

Ethan Cooper's picture
Ethan Cooper from Longview, TX is reading The Kill Room, Heart-Shaped Box, Dr. Sleep February 8, 2013 - 3:42pm

A fun read. Thanks for sharing this with us. I like the world you've built.

You've got a depressing little story here and that's okay. Hopelessly addicted, and in constant pain, your character is heroic simply because he (actually, I'm not sure you ever refer to their sex, but my mind said it was a he) has chosen to live as long as possible. In the end, the weight of the inevitable is a fatal blow.

Won't be reading this one to the kids before bed.

I've attached my LBL. Some minor suggestions in there. I think you have a good command of the environment. Due to the structure of your story, there was a lot of commentary on the world at large. I do sorta wish the main character had experienced that first-person instead of just having it told to the reader.

Your character is pretty real. I'm still deciding whethere your use of repetition to cement the reality of his pain and situation is too heavy-handed. I tend to think it worked well.

I do think the ending could be punched up a little. I think the Pal's final words are a distrction right there. Also, the last sentence doesn't work for me because he's not returning to anything. Survival is all there is, and in the city above, nothing's different. I'd explore what that revelation means. I don't think we need to know what happens next, but I think it would be better if you say it a different way.

Good work. Keep writing!

kmerke's picture
kmerke from Ottawa, Ontario is reading The Red Tree March 3, 2013 - 3:20pm

Thanks so much for the edits, means a lot to me. I'm kind of just experimenting with writing, I'm pretty unexperienced and this was a growing process for me. Like I said thank-you!

SamaLamaWama's picture
SamaLamaWama from Dallas is reading Something Wicked This Way Comes February 15, 2013 - 3:40pm

Great story, very moving once it gets going. My only suggestion is that you start with action, rather than back story. Nothing happens in the present time until the end of page three. If you moved the Pal error message to the first paragraph, you could have weaved in her story more naturally. But other than that, you did a great job of painting a bleak and terrible world.

Great job! ~Sam 

kmerke's picture
kmerke from Ottawa, Ontario is reading The Red Tree March 3, 2013 - 3:21pm

Fair enough, I can totally see where you are coming from. Thanks so much for the comment.

C Patrick Neagle's picture
C Patrick Neagle from Portland, Oregon is reading words, words, words February 21, 2013 - 6:08am

Once the narrative got rolling it was a good, swift read. The exposition at the beginning slows things down a bit for me. What might work better is if that information was spread around the rest of the story, inserted as needed. And some of it, although good for world-building and something that you as the author definitely need to know, isn't necessarily needed by us the readers. We eventually learn through context what the patches are, what they do for the enhancement rat. Through descriptions of the protag's surroundings we get a sense of the fallen world, the hope for what lies above.

I like your into: "The salty smell of rusting steel plagues the air beneath the decaying cities of the old world". Connect that up with "I live in the Rust Dungeon" and now you've hooked the reader and drawn them forward with a narrative that promises to rush from the depths to the heights.

On that last, though--the what lies above part--it seems almost too easy for the protag to go up. That moment on the stairs should be a nail chomper. There's where we might need some exposition. Do the guards always let people past? Never? And once the protag decides to go up, really build on that desire to see it, so that the tragedy becomes that much more potent.

Once past the expositon, I enjoyed it quite a bit.

PS (post-reading the comments above): I liked the ending. I thought it was a strong one. That return to survival mode means that that hope--that the above-ground world would be better, even if the protag couldn't live in it--is crushed. Thus, it doesn't really matter if the protag makes it to the house, finds more patches. Patches, no patches--life is grim. Again, building up to that point might require some more work, but I don't think the narrative would gain much (and might lose much) by going past the return-to-survival part.

kmerke's picture
kmerke from Ottawa, Ontario is reading The Red Tree March 3, 2013 - 3:24pm

Thank-you for your comment it is great encouragement to stick to this writing business and see what happens! 

Adam Jenkins's picture
Adam Jenkins from Bracknell, England is reading RCX Magazine (Issue 1 coming soon) February 27, 2013 - 2:31am

Call me morbid, but I liked the misery of the story, and the inevitability of decay and death.  The story is unrelenting and light on hope, as it should be for a tale such as this.  You deal with the need very well, and the characters are good if a little lightweight.  It’s a bit exposition heavy at the start, and I agree with the other comments that maybe this information could be drip-fed throughout rather than presented in full at the start.  It means the story itself doesn’t really get going for a while.  I’ll admit to being a bit confused by the ending, it is very abrupt.  It took a second read to grasp how important it is to reach the surface but instinctively I feel you could have made more of it.  I do like the bleakness of the ending, the hope being dashed.  This doesn’t feel like a happy ending kind of story, and I’m glad you chose not to go down that route.  I’d have liked to have seen them find a patch, and have that bittersweet moment of relief and despair to prolong a life that has little meaning.  The question does spring to mind as to why the search for a patch was left so late, but it’s a minor quibble.

kmerke's picture
kmerke from Ottawa, Ontario is reading The Red Tree March 3, 2013 - 3:18pm

Thanks for your comment. I appriciate it.