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Cody John Beckius's picture

Generally Benign

By Cody John Beckius in Scare Us

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Description

The fast-approaching end of freshman year should have been about planning months of unsupervised fun: parties, girls, drinking, and getting high.  Instead, a number of deaths near a peaceful ranch in a small Colorado town have occupied the thoughts of two friends.  

Comments

Jane Wiseman's picture
Jane Wiseman from living outside of Albuquerque/in Minneapolis is reading Look to Windward by Iain M. Banks July 19, 2012 - 8:41am

This is a wonderful story. I love that it's completely realistic and believable, which makes the monster believable, too. Its very understated quality is what makes the ending so chilling. It has a great sense of its time and place, too-- something I always admire. Great read.

Cody John Beckius's picture
Cody John Beckius from Colorado is reading a lot of American Modernist literature July 23, 2012 - 10:06am

Thanks so much for the kind words!  I really appreciate you reading it, Jane!

Brad's picture
Brad from Australia is reading Speculative Fiction Quarterlies July 21, 2012 - 11:36pm

Hi Cody,

 

Some of my feedback, all my opinion only:

Livestock - it would be nicer if you were more specific here, for the reader's benefit. Particularly as you describe an individual mutilation. "Cattle mutilation" works, and makes the horse reveal later more crisp.


Great Descriptions:
hot-dog style
lip-gloss slicked mouth (i can imagine the close up)


"It could have been Satanists or aliens maybe... etc" - this sentence gets quite long and clumsy, can you chop it up?


"but spared the lush fields" - I think you've omitted some prose here, maybe needs to be reversed to the "but the lush fields had been spared."


"We weren’t losers" - cut this, too much telling. You're already showing the boys, so just let the reader decide.


"Mirror images from different times, one young and one older, screaming and
punching the other for ruining their own life." - I like this whole Pat and Pat's dad description, felt really genuine. This sentence needs some polishing though.


Long lists:
Consider dropping a few items or else your lists will be so long that they distract too much from the actual story:

  •  "summer camp, merit badge rallies, the Klondike Derby, hiking trips, or spring camporee"
  • "... we were packing the trailer with grills and sleeping bags and first aid kits and tents and coolers"


Your descriptions are vivid and nice, but often seem to take too much leave from the narrative. It's  kind of jarring, especially when something in the present reminds the MC of something in the past, and they describe in detail the thing from the past.
Example, Pat at the creek. There's some creature approaching/attacking and we have barely any idea what it is/looks like and you drop this:

He probably thought of the bear mace at the bottom of his backpack (that parts fine), or the pocketknife he bought at the Indian powwow at the middle school three years before that he wasn't allowed to take anywhere but camping (umm.. what's happening with the bear thing??)

What I would have peferred is something like "He probably thought of the bear mace at the bottom of his backpack, and wondered if it would have any effect on the _SOME_PHYSICAL_DESCRIPTION_OF_THE_CREATURES_CHARACTERISTICS_ here.

 

You do go on to describe the creature after the event, but by then it's too late to really understand and I needed to re-read.

It's ok to be vague on creature details when they're lurking in the shadows, but if they're in plain sight and murdering people it's good if we know what they look like so we have some idea of what action is taking place. At least something to compare it with, if you don't want to be too specific. humanoid, bloblike, lizardesque etc.


You have a good plot here. Pat and the MC are both believable, consistent characters. The "Bear that's not a bear" tale is told right, with enough foreshadowing that the reader knows it's not really a bear, but still has to wait until the end to find out the reality.
You write some excellent descriptions and make good use of all the senses particulalry touch and smell. Just be careful about over-describing minor details in spite of major plot events.
Some of your paragraphs would also benefit from being split so that the reader can detect changes in location/POV/time.

 

Hope this helps.

Cody John Beckius's picture
Cody John Beckius from Colorado is reading a lot of American Modernist literature July 23, 2012 - 10:10am

Hey Brad, thanks for taking the time to read and give me some great notes.  I'll definitely look at trimming some fat in a few of the places you mentioned.  It's alwasy great getting such well thought out feedback.  I really appreciate it!

Jane Wiseman's picture
Jane Wiseman from living outside of Albuquerque/in Minneapolis is reading Look to Windward by Iain M. Banks July 25, 2012 - 4:58am

Just another opinion here--I love love love minor details! Your other reviewer may well be right, but minor details flesh out a story for me and make it real. I guess they could be distracting. Think of all the details in "Big Two-Hearted River," though. 

leah_beth's picture
leah_beth from New Jersey - now in Charleston, SC is reading five different books at once. July 25, 2012 - 6:16pm

Hi Cody!

I loved that your story was thick with details, but I do agree that there's a fine balance between great description and great story. 

I love your dialog between the boys right before they're maced.

I love the description of the relationship between Pat and his dad.  "He doesn't hit me just because he can."  Great thought there.

I'm a quick reader, though, and I did lose a little of the plot while focused on the details.  I'm still a little confused at how the beast snuck up on them, and how the narrator escaped. I'd build out that section a little more, I think...add more action, perhaps? 

Still, though - really strong writing. I could picture so much of the story as though I'd been there myself.

Cheers!