When does writing about The Other stop being an exercise in understanding and become something exploitative?
Replace death with love, in your writing, and see what happens.
When writing about taboo subjects, be careful how you do it.
In: American Psycho, Character, Death, Jack Ketchum, John Steinbeck, Narrator, Plot, Storyville, Theme
Death in fiction — who, what, when, where and why.
Trade romance sales make up the largest share of the U.S. consumer book market, yet they carry a lot of negative associations. Does romance deserve a second chance?
In: Character, Craft, Dialogue, Jeff VanderMeer, Plot, Stephen King, Storyville, Structure, Theme, Voice
Three essential books on writing by Stephen King, Donald Maas and Jeff VanderMeer.
There are many ways to tell a true story--here are just a few.
Books are not always innocent creations. Time and again, the written word has helped to both inflame and resolve human conflicts.
I dare you to scare me. 25 words. 2 sentences. Endless opportunity for horror and pre-Halloween fright.
Old Nick has left his stamp on literature ever since men began putting pen to paper. Whether literally or figuratively, nearly everyone has a demon or two waiting to jump onto the page.
Here are 15 unconventional methods of telling a story. Why not stretch yourself?
Ten tips to avoid clichés and stereotypes in your fiction.
Being deliberately transgressive is the safest move a writer can make.
A list of the some of the most predictable, clichéd storylines that somehow continue to appear in fiction workshops again, and again, and again.
Ghostly Doppelgangers, Bell-Ringing Goblins, and More Cranky Old Rich Jerks: Get in the Holiday Spirit With Some Lesser Known Dickens
Can't get enough Dickens at Christmas time? Check out his lesser-known holiday-themed works.
It's not easy to write a happy story that is not melodramatic, but here are some tips on how to get there.
One way to embed a central theme in a story is with the use of a literary device commonly referred to as the Objective Correlative.
By Rob Hart
The proofreading phase is when a book gets pretty--but the content edit is when you really bring the story home. Here's how to do it right.
Add depth to your writing with a Figurative Language Well.
By Jack Ketchum
Jack Ketchum on violence, pain, and the importance of not looking away.
Plots shouldn't unfold with cause-and-effect insomuch as careful repetitions of symbolism and theme. Here's one way you can do this without forcing the story to wear symbolism on it sleeve.
Where do you get your ideas? Turns out, you can get them just about anywhere. But the best stories tap into your personal experiences and emotional truths.
You are a writer— an artiste! A creator of beauty and meaning. A cultural commentator. A revolutionary! It's about damn time you wrote your manifesto!
Of all the rules that apply to fiction writing, perhaps none is more misleading than the common, banal adage that you should “write what you know.”