Sometimes our world and others overlap, like the center of a Venn diagram. These new worlds that still retain vestiges of our own offer a unique angle; they allow the author to make comparisons.
What happens if you need to set a story in a place you've never seen? Melissa F. Olson, author of the Boundary Magic series, walks you through how to plan a location research trip.
When does writing about The Other stop being an exercise in understanding and become something exploitative?
Everything you need to know about aliens, the biological definition of life, and SCIENCE!
In: Character, Joyce Carol Oates, Literary Devices, Plot, POV, Research, Setting, Short Stories, Storyville, Structure
One of the most talked about, published and taught stories, I dissect "Where Are You Going, Where Have You Been?" by Joyce Carol Oates.
How can your fiction be as visual and engrossing as a film? Here are some suggestions.
How do you manipulate your audience? Here are a few tips.
Here are 15 unconventional methods of telling a story. Why not stretch yourself?
By Dana Fredsti
Author Dana Fredsti talks about the trials and tribulations of writing the sequel to her hit book, 'Plague Town,' and all the anxiety and lessons that came with it.
In: Analysis, Character, Dissection, Plot, POV, Research, Setting, Short Stories, Storyville, Structure
Dissecting my story, "Fireflies," I shine a light on my first attempt at magical realism — craft, process, and structure.
Using particular details brings your lie to life.
Setting is one of the most important aspects of your story; don't overlook it.
In: Character, Character, Craft, editing, Plot, Plot, POV, POV, Setting, Setting, Short Stories, Storyville, Voice, Voice
Richard dissects another of his short stories, this time, the contest winning, "Maker of Flight."
In: Character, Craft, Dialogue, Literary Devices, Narrative Hooks, Plot, POV, Setting, Storyville, Structure
Writing a great narrative hook isn't easy, but it's one way to grab your audience and never let them go.
Here are some tips on how to reveal character through showing, not telling.
Ten obvious truths about fiction and its relationship with your readers.