In an era where every story is recycled, how do we as writers strive for originality?
Information on where writer's block comes from, and how to fix it.
Ten tips for the best ways to fool your readers.
We come back to our work in progress, ready to fill in some details about our fictional town and its inhabitants.
By writing out of sequence, you no longer have to force yourself to write the boring bits. You are always writing the fun chapters. The scenes that remind you why you’re a writer in the first place.
Having some trouble with your novel WIP? Not sure how to connect the dots or how to fill out that character roster? I’m here to help.
By Robbie Blair
I go into several methods for outlining longer pieces, including free-write summary, skeletal summaries, "snowflake" summaries, visual outlines, and more.
Tips on how to write a novel without plotting it out.
In: American Psycho, Character, Death, Jack Ketchum, John Steinbeck, Narrator, Plot, Storyville, Theme
Death in fiction — who, what, when, where and why.
We can learn some valuable lessons about plotting, characters, and expectations from watching (or reading) 'Game of Thrones.'
In: Character, Craft, Dialogue, Jeff VanderMeer, Plot, Stephen King, Storyville, Structure, Theme, Voice
Three essential books on writing by Stephen King, Donald Maas and Jeff VanderMeer.
New year, new rules. This month, write about something "new" in 14 words or less.
In: Character, Joyce Carol Oates, Literary Devices, Plot, POV, Research, Setting, Short Stories, Storyville, Structure
One of the most talked about, published and taught stories, I dissect "Where Are You Going, Where Have You Been?" by Joyce Carol Oates.
Updated With Winners: LitReactor's Flash Fiction Smackdown: September Edition (...and another chance to win Chuck Palahniuk's new book!)
Get another chance to win one of three copies we are giving away of Chuck Palahniuk's next book Doomed by writing a metaphor for Purgatory in 25 words or less.
By Joshua Mohr
LitReactor instructor and 'Fight Song' author Joshua Mohr talks writing plots with The Rumpus film editor Anisse Gross. You should probably listen.
By Robbie Blair
A nerdy confessional where I go back through some tabletop RPG experiences that taught me valuable storytelling truths.
Life-Changers and Soul-Crushers: 3 Books I Feel Blessed to Have Read & 3 I Wish I Could Obliterate from My Memory
Let the debates begin! Three books that made me want to be a better writer and better person, and three books that made me want to gouge my eyes out.
In: Analysis, Character, Dissection, Plot, POV, Research, Setting, Short Stories, Storyville, Structure
Dissecting my story, "Fireflies," I shine a light on my first attempt at magical realism — craft, process, and structure.
Two sentences. 25 words. Flash!
New Rules: 25 words. 2 sentences.
In: flashback, Info dumps, List, Narrator, Plot, POV, subtext, tense, unreliable narrator, world-building
Some things to have taken into consideration while writing your story. Not rules, just after-the-fact guidelines.
By Erik Wecks
Writers are often told to avoid information dumps at all costs, but this can leave a story feeling clipped and lacking necessary description.
Four movies that blur the line between artists and their art.
A list of common storytelling devices writers employ that usually cause far more harm than good.
There is a symbiotic "formal" relationship between situation and scene. A clearly defined dramatic-situation enhances the tension of your scenes, and more scenes ensure deeper exploration of premise.