Storyville: Writing About Sex
How do you write a good sex scene? By utilizing the right language, all five senses, and empathetic characters, you can seduce the reader into living the moment.
Acting on the Fictional Stage: The Dramatic Method in Fiction
Harness The Dramatic Method For Character Action
An Unreliably Narrated Essay
By Joshua Mohr
In the reviews of my first two novels, the issue of the unreliable narrator has been mentioned often. Whether this is meant as criticism, compliment, or some tangle of the two, the following problem remains whenever this point is raised: I don’t believe in the unreliable narrator.
The Escaping Character
A unique, compelling character must always possess the ability to confront — and ultimately confuse — readers’ expectations at every turn.
Storyville: Writing Horror Stories
What does it take to write a terrifying story? Every tool in your writer's toolbelt.
Keeping it Real: A Rough Guide to Using Real People As Fictional Characters
By Cath Murphy
Ebeneezer Scrooge, Tintin and Alice in Wonderland are all said to be based on real people. Is using your boss or neighbor as a ready made character a stroke of genius, or a fast route to a lawsuit?
The Third Character: A (Very) Rough Guide to Settings
By Cath Murphy
In:
Agatha Christie, Character, Hilary Mantel, Setting, Stephen King, William Gibson, William Golding
Choosing the right setting for your fiction can be as tricky as giving a turtle a haircut. Here's my Rough Guide to what I think of as the 'third character'.
Storyville: Revealing Character
Here are some tips on how to reveal character through showing, not telling.
The Long & Winding Road: Part 1- Writing The Novel
The 1st in a series chronicling my experiences with my novel, including finding an agent and submitting to publishers. Part 1 details writing my novel and my first partial request from "ideal agent"
Storyville: Where Do You Get Your Ideas?
Where do you get your ideas? Turns out, you can get them just about anywhere. But the best stories tap into your personal experiences and emotional truths.
Writing Effective Dialogue
Writing authentic, compelling and engaging dialogue is one of the most vital yet misunderstood challenges of the writing process.
The Changing Character
Does a character have to “change” during the course of a story? Do they have to evolve? Or can they continue behaving the same as always, even at the end of the narrative?
Merits of Other Mediums: Going Beyond Books to Improve Your Craft
Many authors will tell you that reading and writing is the key to improving your work and getting published. In this column we examine the merits of three mediums OTHER than books.
Putting An End To Plot Conveniences
Writers are often faced with the predicament of writing themselves into a plot corner. We know where our stories are supposed to go, but the plot becomes an impasse to resolution instead of a gateway.
“I tell the truth, even when I lie.”: A Discussion of Unreliable Narrators
Can your narrator be trusted?? Reliable narrators are the norm, but unreliable narrators are great to read and fun to write.
Stocking Stuffers: 13 Writing Tips From Chuck Palahniuk
Christmas comes early today! In this essay Chuck provides a grab-bag of incredibly useful ideas that don't require too much individual elaboration. From delineating the three types of speech, to simple maxims for the writing life.
Write Characters In A Representation-Free Zone
Many writers eschew compelling characters in favor of mannequin tropes that serve as props for preexisting social messages, or characters a reader can “relate to.” Here’s why it’s always bad writing.
Cliche, the Literary Default
Stories start from a default position of cliché: readers go into stories with expectations, and if too many are fulfilled the spell is broken. So, how do writers engage when the odds are against them?
Nuts and Bolts -- The Horizontal Versus the Vertical
Every story possesses the "horizontal" movement from plot point to plot point and finally to resolution, as well as the "vertical" development of character, theme, and emotional resonance. Discover Chuck's approach to building a story in layers.
Names Versus Pronouns
How can you replace tired third-person pronouns with proper names without monotonous repetition? In this essay, Chuck challenges you to develop a whole range of names for each character and object in your fiction.
Tell a Lie, Bury a Gun
In:
Character
Chuck exposes one of the more subtle and influential forms of the Buried Gun... the Lie. Have your character lie or make a false promise early, then the backfire can propel a climactic resolution.
A Story from Scratch, Act One
Here, Chuck presents the rough draft of Act One in his short story "Fetch," complete with notes and commentary. See his process in action as he begins to apply all the techniques and strategies of previous essays.
A Story from Scratch, Act Three
In Act Three, Chuck demonstrates the importance of keeping established elements present to the story as it moves forward. He also brings in the "Buried Gun" and reveals strategies for building tension and maintaining character arc.
