If I'm writing a phone conversation....does it feel awkward not to "hear" the person on the other end? Can I just write the person we are with, or should it be like a conversation where the reader is in on both sides?
Thoughts?
A one-sided conversation? If we're experiencing something from a main character's perception and they are talking on the phone, they would probably know what is going on on the other end. If your main character is in a room with someone else who is on the phone, they would probably just hear the one-sided conversation. It depends on your POV. From a reader's perspective a one-sided conversation can be pretty boring or a reader might think it's a thinly veiled mechanism of suspense, not to say it can't be pulled off just fine.
This really depends on your narrator. If it's first person and the narrator is the one on the phone, then of course you'd hear the other side. If you're a 3rd person limited, then no you wouldn't. And of course if you have an omnipotent narrator then you'd get to play with it. Personally I don't think it would be awkward if only one side was heard- it could build tension.
Oh, Ren beat me to it.
Limited 3rd you are still connected to your main character (and only that character, hence limited), relating his sensory input throught a sort of "over-the-shoulder cam."
Why does it sound awkward? If you wrote it as one-sided conversation and added the other end, maybe one or both characters are saying/explaining too much. What info do you need to relay over the phone? How would the characters get to the point of saying the one important thing? How would they get to the point of hanging up?
I think one of the greatest feats in dramatic narration is to write only what the person in the room says and use subtle changes in body language and facial expressions to note what the other person may be saying if you are writing a third person POV. A first would report both sides.
Hey Averydoll,
Is it for your current WIP? I read your story in the worskop, I'm still working on my review though!
I have to say it'd be better to keep it one-sided since you're doing it in a limited POV. The character you're focusing on can hear certain things--the other character stretching on the sofa, a rumble of car outside the window, a smile entering a voice. It sounds like a fun challenge. Try working in as many senses as you can without us actually seeing the person on the other line. It might be difficult, but that's what I do in my writing.