I'm writing a fictional 1st person memoir. A summary of the plot is that a super villain named 'Villain' fights a far worse monster referred to as 'Slaughter'. The monster is so horrible and outside human understanding people who speak of it (Slaughter) are unsure how grammar rules apply. 'Villain' debates which would be a better term for 'Slaughter'; 'he' or 'it'. He also wonders if the term 'feelings' is appropriate. Anyone have any thoughts or suggestions?
I think comic books have this down pretty well. Comic books do a lot with a few words, and given the proper suspension of disbelief (which, given your premise, you will need), comic book dialgue, done correctly, will win the day for you.
Your question is kind of confusing.
@Dwayne, with ebooks etc nowadays, it's probably easier than ever to include illos to... illustrate your meaning. I can't wait for the day of embedded audio/video in Kindle books. However, I don't think comic writers rely too much on the illos to convey feelings. Also, I think I'm more confused by your clarified entry than I was originally. Of course, I am much, much drunker.
@Jeffy They got A/V embedded in ebooks already. The last Stephen King book I got on the Nook had some cool video extras at the end, and something else had some audio extras. Can't say I've seen any multimedia actually woven into the narrative that I remember though. What I really want to see, and don't know why I've never seen it yet, is animated .gif book covers. That would just be the coolest thing to me.
@Dwayne, have it work out like it would in real life. The guy acknowledges that he doesn't know what to call it, but then an "it" or "he" sticks and that's what he thinks of it as. Acknowledge it and move on. Same thing happens in all this zombie lore when people don't want to just say "oh shit, there's some zombies over there." They say walkers or biters or crazies or whatever.
Feelings?
Villian sure thinks a lot. Could you show this in his actions, too? It might work to show Villian hesitating, and then giving a little of his thought process to why he doesn't kill the creature right away. That way, it's not all in-his-head confusion.
Also, wouldn't a bad-guy be looking at Slaughter as a tool or weapon to use for himself? You probably cover that, but if not....
Second thought about this:
This sounds like a play-on-word gag that reminds me of a Marx Brother's comedy bit or something written by Tom Stoppard. Are you going for comic relief with this part when other people talk about the monster?
You could create more mystery, more build up, something like this:
Both of us could have just opened fire, but neither of us did. I was waiting as long as I could so civilians would have time to flee, but this creature was not like me. Why hesitate after I’d shown that I could inflict pain? There had never been any previous hesitance to fight (or maybe kill is a more accurate term since the list of successful opponents is horribly short) when it would be of benefit. Or might be of benefit. Or just for the sake of it. I don’t want to anamorphize that thing by attributing human emotions to it, but I think it liked killing. Or at least when it comes to killing, it comes as close as it can to having a feeling. Or is it a he?
