by Mark Danielewski. Anyone read it?
I'm up to page 73, then decided to veer into the appendices. If you've read it, did you do it this way or read lineally? And as for the letter on page 620, did you decode it?
I know it's not a book club selection or anything, I'm curious to hear how other readers attacked the book. So far, I'm super loving the layers of the three stories, but the decoding required a bit more mental agility than I usually reserve for the end of the day and it's pretty grade 3 stuff, which says more about my faculties than the complicated nature of the text.
I read that book over a weekend about a year ago (how cool am I?), and approached it straight on. It got a little irritating holding a page and searching for which footnote of a footnote was next, but I feel like it was worth it in the end.
also, I went to his reading of Fifty Year Sword in October. Super nice guy. It made me happy to find out he is not a pretentious cock.
I read it twice. Loved it, although the Johnny Truant (I may not have his name exactly right) was a little tiring for me at times. I did decode the letter, I keep the handwritten decoded message on the page so I don't have to go through that again.
I mostly read it lineally, although I will admit I skipped some of the footnotes, and the Truant sections the first time I read it. Second time I read everything.
I read it a month or two ago. Read all the footnotes, though honestly most of the non-story (non-Truant) footnotes are useless. *see "Bogus Article" (19watevs) from Journal McMadeupname or *Arbitrary Listzilla etc. Super fun, though all the actual innovation of it was kinda wee bit half-assed, or maybe tackling this book after so many years of Terry Pratchett and David Foster Wallace and Oscar Waos and Third Policemans, footnote fiction just isn't that big a deal to me anymore personally. What I ended up enjoying out of the book the most was the more joyful metafictive analysis of horror imagery, which again was either really strong in the image or in the analysis, very rarely both.
Reading the letters early on helps you understand Johnny. Though it isn't necessary to get the story.
And if you aren't into decoding, this might not be the book for you. That definitely isn't the only place in the book that needs decoding, but it might be the only place that specifically says "decode this."
Didn't care for the writing style so never got past page one.
I loved it, and I read it nonlinearly. It definitely challenged me to keep my comprehension in the forefront, so I would remember where I was when I eventually reached the end of the diverging path and went back to the main (if there is a main one) storyline. I don't know if it was the writing style or the fact that I was in a house I'd never been to before, or the fact that I was pregnant when I read it, but it got into my head in a way most books don't.
I got quite a start when I noticed a small door I hadn't seen before in the hallway of my grandparent's new house. It was just a plumbing access panel, turns out. But it's not what you want to see in the middle of the night on the way to the bathroom when you're still awake because you can't put this weird book down.
Yeah, it was a good thing I was already on my way to the bathroom! Might have left a puddle in the hall.
I read it and did so the linear way. It wasn't tough to follow and for me gave me a really neat understanding of all the different parts. For instance (SPOILER (maybe)), had I not read all the footnotes about echoes, the part where Navidson's daughter says she wants to play "always" wouldn't have struck me in quite the same way.
I didn't decode the letter though. In fact, I never even thought about it.
I loved the tension in that book. Really exceptional.
I was afraid of the dark for a couple days after reading that book.
I started nailing tape measures to the wall.