Whether you’re a novelist, screenwriter, poet, or social activist, New York Times bestselling humorist Andrew Shaffer will provide tips on utilizing satire to make your audience laugh and think.
Your Instructor: Andrew Shaffer, author of 'Fifty Shames of Earl Grey'
Where: Online — Available everywhere!
When: June 21, 2018 - July 13, 2018
Enrollment: 16 students
“Satire is traditionally the weapon of the powerless against the powerful.” — Molly Ivins
Let’s face it: We’re living on the edge. Fascism is on the rise; fuckboys are on the march. There’s plenty to be outraged about. As a writer, you can spend a lot of time trying to lecture your audience on the societal ills we face. Unfortunately, people generally don’t like to be hit over the head—even if they agree with your point. Enter satire.
The satirist wields humor like a weapon, using it to expose stupidity and injustice. Satire is often political in nature because—let’s face it—there’s a lot of stupidity and injustice within politics. However, the satirist’s target need not be political in nature. Almost any societal folly or vice is ripe for ridicule.
In this three-week workshop, students will study examples of satire from popular culture, from TV’s The Daily Show to Chuck Palahniuk’s Fight Club. Students will learn how humorists use satire to wage virtual war against a host of societal ills, from authoritarian politicians to seedy corporations.
Whether you’re a novelist, screenwriter, poet, or social activist, New York Times bestselling humorist Andrew Shaffer will provide tips on utilizing satire to make your audience laugh and think. Students should bring a healthy sense of humor and a list of grievances with the modern world. Questions and interaction encouraged!
Shaffer’s first novel, Fifty Shames of Earl Grey, was an international bestseller, prompting the Associated Press to call him “a pro at parodies.” His first satire, 2016’s The Day of the Donald: Trump Trumps America, imagined a world run by a reality TV game show host. (It has since been moved to the nonfiction shelves.) Shaffer teaches humor writing workshops and mentors at Lexington, Kentucky’s non-profit Carnegie Center for Literacy and Learning.
What This Class Covers
An introduction to satire. Class will examine various examples, from movies (Bulworth, Heathers, Fight Club) to books (Animal Farm, American Psycho, Gulliver’s Travels). Learn the differences between “punching up” and “punching down,” and look at how this fundamental concept applies to your own satirical writing.
What makes a good target for satire? If you want your satire to resonate with your intended audience, your subject must be familiar to them. On the flipside, a well-known target like the president of the United States will have been subjected to so many satirical barbs that it will be difficult to come up with a fresh take.
Assignment: Over the course of a week, keep a running list of satirical “targets” that boil your blood, from politicians to human follies. Narrow the list down to 5-10 targets and bring to the next session.
You know what satire is. You have a subject. Now it’s time to whip out the pen and get to work. This week, students will learn basic comedy techniques such as hyperbole (exaggeration), parody (imitation), and “working blue” (off-color jokes). Learn how stand-up comedians brainstorm and workshop material, and how this applies directly to writers working in other mediums.
Assignment: Draft a short work of satire (500-1,000 words) based upon one of your targets from the first assignment.
Satirists offend. In fact, if your satire doesn’t offend somebody, somewhere, then it doesn’t have the teeth to be called “satire.” As comedian Will Franken says, “A satirist is the opposite of a decent human being.” This week, you’ll learn about pushing boundaries. How far is too far? How soon is too soon? Both legal and ethical questions and situations will be discussed, with the caveat that the instructor is not providing legal advice. Who would accept legal advice from a guy who wrote a book called How to Survive a Sharknado, anyway?
Assignment: Revise the short work of satire from Week Two, pushing the envelope as far as you can this time. Submit to the instructor for personalized feedback.
Goals Of This Class
- Recognize satire, and use it in your own work
- Understand the difference between “punching up” and “punching down”
- Learn the one pitfall every satirist must avoid
- Craft a complete short piece of satire (500-1,000 words)
- Get your completed work critiqued by a New York Times bestselling humorist
LitReactor offers a unique approach to a writing education: You study what you want, when you want, at your own pace. We bring in veteran authors and industry professionals to host classes covering a wide range of topics in an online environment that’s interactive and flexible. You get detailed feedback on your work and take part in discussions in a judgement-free zone. It doesn’t matter if you’re a beginner or an experienced writer, our workshops are about working together to achieve your writing goals.
Where do classes take place?
Entirely online. So, anywhere you have Internet access.
Are there certain times when the whole class needs to "meet" online?
Nope. Our students come from all over the globe. Everything is posted online and accessible 24/7. (We do occasionally schedule phone chats, but try to reach a consensus on timing.)
What does a typical class consist of?
It varies, but nearly all our classes include weekly lectures, homework assignments, peer reviews, critiques from instructors, and discussion forums.
How much experience do you need to take a class?
Beginner or pro, everyone is welcome. We encourage all skill levels.
Got more questions? Click here for an extended FAQ.
And click here to explore a sample class that shows our layout and features.